In Murder of a Medici Princess, Caroline Murphy illuminates the brilliant life and tragic death of Isabella de Medici, one of the brightest stars in the dazzling world of Renaissance Italy, the daughter of Duke Cosimo I, ruler of Florence and Tuscany. Murphy is a superb storyteller, and her fast-paced narrative captures the intrigue, the scandal, the romantic affairs, and the violence that were commonplace in the Florentine court. She brings to life an extraordinary woman, fluent in five languages, a free-spirited patron of the arts, a daredevil, a practical joker, and a passionate lover. Isabella, in fact,
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Ms. Beatrice Hempel, teacher of seventh grade, is new—new to teaching, new to the school, newly engaged, and newly bereft of her idiosyncratic father. Grappling awkwardly with her newness, she struggles to figure out what is expected of her in life and at work. Is it acceptable to introduce swear words into the English curriculum, enlist students to write their own report cards, or bring up personal experiences while teaching a sex-education class?
Sarah Shun-lien Bynum finds characters at their most vulnerable, then explores those precarious moments in sharp, graceful prose. From this most innovative of young writers comes another journey down the rabbit hole to the wonderland of middle school,
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Divorced, alone, and unexpectedly unemployed, Sylvia Landsman flees to Italy, where she meets Henry, a wistful, married, middle-aged expatriate. Taking off on a grand tour of Europe bankrolled with his wife’s money, Henry and Sylvia follow a circuitous route around the continent—as Sylvia entertains Henry with stories of her peculiar family and her damaged friends, of dead ducks and Alma Mahler. Her narrative is a tapestry of remembrances and regrets…and her secret shame: a small, cowardly sin of omission. Yet when the opportunity arises for Sylvia and Henry to do something small but brave, the refrain “if only” returns to haunt her,
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It seems like mutual good luck for Abigail Taylor and Dara MacLeod when they meet at university and, despite their differences, become fast friends. Years later they remain inseparable: Abigail, the actress, allegedly immune to romance, and Dara, a therapist, throwing herself into relationships with frightening intensity. Now both believe they’ve found “true love.” But luck seems to run out when Dara moves into Abigail’s downstairs apartment. Suddenly both their friendship and their relationships are in peril, for tragedy is waiting to strike the house on Fortune Street.
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Ever since her parents announced that they’re getting divorced, Veronica has been falling. Hard. A junior in college, she has fallen in love. She has fallen behind in her difficult coursework. She hates her job as counselor at the dorm, and she longs for the home that no longer exists. When an attempt to escape the pressure, combined with bad luck, lands her in a terrifying situation, a shaken Veronica calls her mother for help—only to find her former foundation too preoccupied to offer any assistance at all.
But Veronica only gets to feel hurt for so long.
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A ball can start a revolution.
Born in Kabul, Awista Ayub escaped with her family to Connecticut in 1981, when she was two years old, but her connection to her heritage remained strong. An athlete her whole life, she was inspired to start the Afghan Youth Sports Exchange after September 11, 2001, as a way of uniting girls of Afghanistan and giving them hope for their future. She chose soccer because little more than a ball and a field is needed to play; however, the courage it would take for girls in Afghanistan to do this would have to be tremendous—and the social change it could bring about by making a loud and clear statement for Afghan women was enough to convince Awista that it was possible,
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