Spiritual and sensuous, divine and carnal, decay and regeneration. Sarika discovers this blend through her journey in the world of music. Life is not a simple black and white but a mix of the dichotomous. Music offers a unique lens through which to look at relationships: the guru-pupil, husband-wife, parent-child, artist-world. Each relationship brings its own complexities to an already complex world that goes on through each death into rebirth.
Divine Music is a sensitive look at the world of music, a microcosm of Indian society. The novel reaffirms our faith in life and in the ability of humans to go on living after a catastrophe.
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As she prepares dinner for her husband and their extended family, Suzanne hears on the radio that a jetliner has crashed and her lover is dead. Alex Elling was a renowned orchestra conductor. Suzanne is a concert violist, long unsatisfied with her marriage to a composer whose music turns emotion into thought. Now, more alone than she’s ever been, she must grieve secretly. But as complex as that effort is, it pales with the arrival of Alex’s widow, who blackmails her into completing the score for Alex’s unfinished viola concerto. As Suzanne struggles to keep her double life a secret from her husband,
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Suzie Gilbert once struggled to find her calling. But when she took a job working at the animal hospital near her home in New York’s Hudson Valley, her passion was born. She began bringing abused and unwanted parrots home and volunteering at a local raptor rehabilitation center.
Then came the ultimate commitment to her cause: turning her home into Flyaway, Inc., a nonprofit wild bird rehabilitation center. Gilbert chronicles the years of her chaotic household-cum-bird-hospital with delightful wit, recounting the confusion that ensued as her husband and two young children struggled to live in a house where parrots shrieked Motown songs,
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Hoping to outpace her grief in the wake of her father’s suicide, Marina has come to the small, rural Japanese town of Shika to teach English for a year. But in Japan, as she soon discovers, you can never really throw away your past . . . or anything else, for that matter.
If You Follow Me is at once a fish-out-of-water tale, a dark comedy of manners, and a strange kind of love story. Alive with vibrant and unforgettable characters—from an ambitious town matchmaker to a high school student-cum-rap artist wannabe with an addiction to self-tanning lotion—it guides readers over cultural bridges even as it celebrates the awkward,
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The beautiful Victorian house that Amy Masterson decides to rent, fully furnished, is more than just a place to start over with her young daughter. When Amy learns that the three-story house on Sugar Plum Lane belonged to her great-grandmother, Eleanor Rucker, who Amy’s mother had been searching for until her recent death, she hopes she can find a window into the past her mother never found.
As Amy settles into Fairbrook, she’s stunned to learn that Ellie Rucker still lives on Sugar Plum Lane, cared for by Amy’s neighbor, Maria. But Ellie’s mind is failing rapidly, her memories fading with each passing day.
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You see, even after all these years, I wonder if you really loved me. Vanessa and Virginia are sisters, best friends, bitter rivals, and artistic collaborators. As children, they fight for the attention of their overextended mother, their brilliant but difficult father, and their adored brother, Thoby. As young women, they support each other through a series of devastating deaths, then emerge in bohemian Bloomsbury, bent on creating new lives and groundbreaking works of art. Through everything—marriage, lovers, loss, madness, children, success and failure—the sisters remain the closest of co-conspirators. But they also betray each other.
In this lyrical,
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