Fascinating, insightful, and wholly engrossing, The Peabody Sisters is a landmark biography of three women who made American intellectual history. Though theirs may not be household names, Elizabeth, Mary, and Sophia Peabody had an extraordinary influence on the thought of their day, the movement of intense creative ferment known as American Romanticism. Megan Marshall adeptly brings to life the sisters and the men they loved and inspired, including Ralph Waldo Emerson, Horace Mann, and Nathaniel Hawthorne. In a work filled with startling revelations, Marshall presents a vivid and nuanced psychological portrait of a sisterhood rife with shifting loyalties yet founded on enduring affection.
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In her first novel in fifteen years, Helen Garner writes about the joys and limits of female friendship under the transforming pressure of illness. “The clear-eyed grace of her prose” in this darkly funny and unsparing novel has been hailed by Peter Carey as “the work of a great writer.” Compulsively readable and exhilarating, “Garner’s luminous, adamantine narrative,” wrote Claire Messud in Newsweek, is a “triumph of art over artifice…a reminder that literature not only can, but must, address the most important subject, because it does so in ways no other form can.”
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Spiritual and sensuous, divine and carnal, decay and regeneration. Sarika discovers this blend through her journey in the world of music. Life is not a simple black and white but a mix of the dichotomous. Music offers a unique lens through which to look at relationships: the guru-pupil, husband-wife, parent-child, artist-world. Each relationship brings its own complexities to an already complex world that goes on through each death into rebirth.
Divine Music is a sensitive look at the world of music, a microcosm of Indian society. The novel reaffirms our faith in life and in the ability of humans to go on living after a catastrophe.
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As she prepares dinner for her husband and their extended family, Suzanne hears on the radio that a jetliner has crashed and her lover is dead. Alex Elling was a renowned orchestra conductor. Suzanne is a concert violist, long unsatisfied with her marriage to a composer whose music turns emotion into thought. Now, more alone than she’s ever been, she must grieve secretly. But as complex as that effort is, it pales with the arrival of Alex’s widow, who blackmails her into completing the score for Alex’s unfinished viola concerto. As Suzanne struggles to keep her double life a secret from her husband,
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Suzie Gilbert once struggled to find her calling. But when she took a job working at the animal hospital near her home in New York’s Hudson Valley, her passion was born. She began bringing abused and unwanted parrots home and volunteering at a local raptor rehabilitation center.
Then came the ultimate commitment to her cause: turning her home into Flyaway, Inc., a nonprofit wild bird rehabilitation center. Gilbert chronicles the years of her chaotic household-cum-bird-hospital with delightful wit, recounting the confusion that ensued as her husband and two young children struggled to live in a house where parrots shrieked Motown songs,
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Hoping to outpace her grief in the wake of her father’s suicide, Marina has come to the small, rural Japanese town of Shika to teach English for a year. But in Japan, as she soon discovers, you can never really throw away your past . . . or anything else, for that matter.
If You Follow Me is at once a fish-out-of-water tale, a dark comedy of manners, and a strange kind of love story. Alive with vibrant and unforgettable characters—from an ambitious town matchmaker to a high school student-cum-rap artist wannabe with an addiction to self-tanning lotion—it guides readers over cultural bridges even as it celebrates the awkward,
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