In Amy Sohn’s smart, sexy, satirical peek into the bedrooms and hearts of Prospect Park West, the lives of for women come together during one long, hot Brooklyn summer. Frustrated Oscar-winning actress Melora Leigh eager to relieve the pressures of raising her adopted toddler, feels the seductive pull of kleptomania; Rebecca Rose, missing her formerly robust sex life, begins a dangerous flirtation with handsome neighborhood celebrity Lizzi O’Donnell, former lesbian (or “hasbian”), wonders what draws her to women despite her sexy husband and adorable baby; and Karen Bryan Shapiro consumes herself with a powerful obsession—snagging the ultimate three-bedroom apartment in a well-maintained,
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A photo of her sons. A doormat from Target. Twenty-three tubs of fabric. Somehow it comforts Lauren to list the things she lost when a wildfire engulfed the Santa Barbara avocado ranch she shared with her husband, Tom. He, too, didn’t survive the devastating fire. His last act was to save her grandmother’s lace from the flames-an heirloom she has never been able to take scissors to, that she was saving for someday.
As she negotiates her way through grief, mourning both the tangible and intangible, Lauren wonders about her long marriage. Was it worth all the work,
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Just put one foot in front of the other. Sounds simple, doesn’t it? But when Noreen Kelly takes a buyout from her job of eighteen years and gets dumped by her boyfriend in one fell swoop, she finds it hard to know what that next step is—never mind take it. At first Noreen thinks maybe her redundancy package could be an opportunity, a chance to figure out what to do with the rest of her life while her company foots the bill. Sure, she may have gotten high to “Witchy Woman” and grooved to “Sweet Baby James” back when James Taylor had hair,
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In the early years of the 1940s, as the nation’s young men ship off to combat, a city springs up, seemingly overnight in the fields of Oklahoma: the Van Damme airplane factory, a gargantuan complex dedicated to the construction of the necessary machinery of warfare. Laborers—mostly women—flock to this place, enticed by the opportunity to be something more than wife and homemaker. For Vi, fleeing a dying ranch; for Connie, following an unfaithful husband; for Diane, leaving behind the hot music and soldier boys to pursue something different, adult, and real; their journeys will be liberating in ways they couldn’t previously imagine,
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In this moving, wry, and candid novel, widely acclaimed novelist Ayelet Waldman takes us through one woman’s passage through love, loss, and the strange absurdities of modern life.
Emilia Greenleaf believed that she had found her soulmate, the man she was meant to spend her life with. But life seems a lot less rosy when Emilia has to deal with the most neurotic and sheltered five-year-old in New York City: her new stepson William. Now Emilia finds herself trying to flag down taxis with a giant, industrial-strength car seat, looking for perfect, strawberry-flavored, lactose-free cupcakes, receiving corrections on her French pronunciation from her supercilious stepson – and attempting to find balance in a new family that’s both larger,
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Russia, 1910. The young Valentina Ivanova is the darling of St. Petersburg’s elite aristocracy, charming them with both her classic Russian beauty and her talent for the piano. But it is a scandal when she chooses her love not from their stock, or even from Russian blood. Her romance with Jens Friis, a Danish engineer, brings to her life a passion and intimacy she has never known. Unbending in their opposition, her parents push her into a loveless engagement with a Russian count.
Valentina struggles to claim her own independence. But at the same time she is desperate to protect her injured young sister from the dangerous tumult that is sweeping through the city.
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