When Evie and her father say good-bye at the train station, they are both on their own for the first time since her mother’s death. But Evie is not lonely for long. At art school in London, she is quickly caught up in colors and critiques, gallery visits and sketching expeditions. She finds fiercely loyal friends—Rob, pragmatic and pregnant; Bianca, dramatic and Italian; and Cecile, the sidelined ballerina—and stumbles tentatively toward a relationship with Zeb, a second-year sculptor with hair blue-black like a crow.
But when her father arrives in the city, sour with alcohol and slumped on the doorstep of her new home,
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Maria Jameson is having an affair—a passionate, life-changing affair. She asks: Is it possible to love two men at once? Must this new romance mean an end to love with her husband?
For answers, she reaches across the centuries to George Sand, the maverick French novelist who took many lovers. Immersing herself in the life of this revolutionary woman, Maria struggles with the choices women make and wonders if women in the nineteenth century might have been more free, in some ways, than their twenty-first-century counterparts.
Here, Rosalind Brackenbury creates a beautiful portrait of the ways in which women are connected across history.
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Gretchen Rubin had an epiphany one rainy afternoon in the unlikeliest of places: a city bus. “The days are long, but the years are short,” she realized. “Time is passing, and I’m not focusing enough on the things that really matter.” In that moment, she decided to dedicate a year to her happiness project.
In this lively and compelling account, Rubin chronicles her adventures during the twelve months she spent test-driving the wisdom of the ages, current scientific research, and lessons from popular culture about how to be happier. Among other things, she found that novelty and challenge are powerful sources of happiness;
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A powerful, provocative novel about marriage and motherhood, love and forgiveness.
Tessa Russo is a stay-at-home mother of two young children and the wife of a renowned pediatric surgeon. Valerie Anderson is an attorney and single mother to six-year-old Charlie—a boy who has never known his father. Although both women live in the same Boston suburb, they are strangers to one another and have little in common, aside from a fierce love for their children. But one night, a tragic accident causes their lives to converge in ways no one could have imagined.
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Lucy Harrison sells books by day and volunteers with the Cypress Hollow fire department by night. Her life is just the way she likes it—full, even-keeled, and smooth—until bad-boy ex-cop Owen Bancroft comes back to town. Lucy has always been fearless, never scared about diving in to help others. When it comes to risking her heart, however, she realizes she’s absolutely terrified.
In a small town like Cypress Hollow, everyone knows your business—and there is nowhere to hide. Then Lucy and Owen are thrown together by the discovery of the lost work of local legend,
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Like Frankenstein and Dracula, Jane Eyre is a Victorian novel that has passed into common consciousness and proved remarkably adaptable, generating several film and stage versions. That Jane Eyre shares this fate with the two greatest horror novels of the nineteenth century is instructive. Like them, it speaks to deep, timeless human urges and fears, using the conventions of Gothic literature to chart the mind’s recesses.
The detailed exploration of a strong female character’s consciousness has made readers in recent decades consider Jane Eyre as an influential feminist text.
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