“If you leave Opi, you’ll die with strangers,” Irma Vitale’s mother always warned. Even after her beloved mother’s passing, 20-year-old Irma longs to stay in her Abruzzo mountain village, plying her needle. But too poor and plain to marry and subject to growing danger in her own home, she risks rough passage to America and workhouse servitude to achieve her dream of making dresses for gentlewomen.
In the raw immigrant quarters and with the help of an entrepreneurial Irish serving girl, ribbon-decked Polish ragman and austere Alsatian dressmaker, Irma begins to stitch together a new life .
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Luminous and intensely personal, Art and Madness recounts the lost years of Anne Roiphe’s twenties, when the soon-to-be-critically-acclaimed author put her dreams of becoming a writer on hold to devote herself to the magnetic but coercive male artists of the period.
Coming of age in the 1950s, Roiphe, the granddaughter of Jewish immigrants, grew up on Park Avenue and had an adolescence defined by privilege, petticoats, and social rules. At Smith College her classmates wore fraternity pins on their cashmere sweaters and knit argyle socks for their boyfriends during lectures. Young women were expected to give up personal freedom for devotion to home and children.
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From Jessica Anya Blau, critically-acclaimed author of The Summer of Naked Swim Parties, comes a new novel of California, growing up, and learning to love your insane family. Drinking Closer to Home is a poignant and funny exploration of one family’s over-the-top eccentricities.
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When seven-year-old Bethany meets her six-year-old cousin Reana Mae, it’s the beginning of a kinship of misfits that saves both from a bone-deep loneliness. Every summer, Bethany and her family leave Indianapolis for West Virginia’s Coal River Valley. For Bethany’s mother, the trips are a reminder of the coalmines and grinding poverty of her childhood, of a place she’d hoped to escape. But her loving relatives, and Bethany’s friendship with Reana Mae, keep them coming back.
But as Bethany grows older, she realizes that life in this small, close-knit community is not as simple as she once thought…that the riverside cabins that hold so much of her family’s history also teem with scandalous whispers…and that those closest to her harbor unimaginable secrets.
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In a crumbling apartment building in post-Soviet Russia, there’s a ghost who won’t keep quiet.
Mircha fell from the roof and was never properly buried, so he sticks around to heckle the living: his wife, Azade; Olga, a disillusioned translator/censor for a military newspaper; Yuri, an army veteran who always wears an aviator’s helmet; and Tanya, a student of hope, words, and color.
Tanya carries a notebook wherever she goes, recording her dreams of finding love and escaping her job at the All-Russia All-Cosmopolitan Museum, a place that holds a fantastic and terrible collection of art knockoffs created with the materials at hand,
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When Evie and her father say good-bye at the train station, they are both on their own for the first time since her mother’s death. But Evie is not lonely for long. At art school in London, she is quickly caught up in colors and critiques, gallery visits and sketching expeditions. She finds fiercely loyal friends—Rob, pragmatic and pregnant; Bianca, dramatic and Italian; and Cecile, the sidelined ballerina—and stumbles tentatively toward a relationship with Zeb, a second-year sculptor with hair blue-black like a crow.
But when her father arrives in the city, sour with alcohol and slumped on the doorstep of her new home,
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