When a bird flies into a window in Spring Green, Wisconsin, sisters Milly and Twiss get a visit. Twiss listens to the birds' heartbeats, assessing what she can fix and what she can't, while Milly listens to the heartaches of the people who've brought them. These spinster sisters have spent their lives nursing people and birds back to health.
But back in the summer of 1947, Milly and Twiss knew nothing about trying to mend what had been accidentally broken. Milly was known as a great beauty with emerald eyes and Twiss was a brazen wild child who never wore a dress or did what she was told.
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When she disappeared from her rural hometown, Wendy White was a sweet, family-oriented girl, a late bloomer who’d recently moved out on her own, with her first real boyfriend and a job waiting tables at the local tavern. It happens all the time—a woman goes missing, a family mourns, and the case remains unsolved. Stacy Flynn is a reporter looking for her big break. She moved east from Cleveland, a city known for its violent crime, but that’s the last thing she expected to cover in Haeden. This small, upstate New York town counts a dairy farm as its main employer and is home to families who’ve set down roots and never left—people who don’t take kindly to outsiders.
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Nobody in Nashville has a bigger name to live up to than Bezellia Grove. As a Grove, she belongs to one of city’s most prominent families and is expected to embrace her position in high society. That means speaking fluent French, dancing at cotillions with boys from other important families, and mastering the art of the perfect smile.
Also looming large is her given name Bezellia, which has been passed down for generations to the first daughter born to the eldest Grove. The others in the long line of Bezellias shortened the ancestral name to Bee,
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Mia Fredrickson, the wry, vituperative, tragic comic, poet narrator of The Summer Without Men, has been forced to reexamine her own life. One day, out of the blue, after thirty years of marriage, Mia’s husband, a renowned neuroscientist, asks her for a “pause.” This abrupt request sends her reeling and lands her in a psychiatric ward. The June following Mia’s release from the hospital, she returns to the prairie town of her childhood, where her mother lives in an old people’s home. Alone in a rented house, she rages and fumes and bemoans her sorry fate. Slowly,
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This
is the story of Kate and Michael. He was a sweet young boy, neglected by his
birth mother and now living with his dad.
Michael’s
father, Kate’s boyfriend, allowed Kate to become Michael’s mother—to care for
him and help raise him and to blossom in her unexpected new role. But when they
split up after six years, despite his early assurances to the contrary, the
father refused Kate access to the child. She had no rights. She was devastated.
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When Alyssa, a self-proclaimed shrinking violet, steals the school mascot, a goat, in order to make some friends with the popular crowd and gets caught, she gets herself in a heap of trouble. In addition, her parents decide that instead of taking her on their summer trip to Madagascar to study the courtship rituals of the Bamboo Lemur, she must go stay with her aunt, uncle, and bratty cousin Emily St. Claire in Willow Falls. Alyssa thinks it’s a good time to start over; she’ll be turning 13 after all, so she might as well make the best of it and perhaps even attempt to break out of her shell (in a non-criminal manner).
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