The author of five blockbuster novels, Emily Giffin, delivers an unforgettable story of two women, the families that make them who they are, and the longing, loyalty and love that binds them together.
Marian Caldwell is a thirty-six year old television producer, living her dream in New York City. With a fulfilling career and satisfying relationship, she has convinced everyone, including herself, that her life is just as she wants it to be. But one night, Marian answers a knock on the door . . . Only to find Kirby Rose, an eighteen-year-old girl with a key to a past that Marian thought she had sealed off forever.
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More than two decades after moving to Saudi Arabia and marrying powerful Abdullah Baylani, American-born Rosalie learns that her husband has taken a second wife. That discovery plunges their family into chaos as Rosalie grapples with leaving Saudi Arabia, her life, and her family behind. Meanwhile, Abdullah and Rosalie’s consuming personal entanglements blind them to the crisis approaching their sixteen-year-old son, Faisal, whose deepening resentment toward their lifestyle has led to his involvement with a controversial sheikh. When Faisal makes a choice that could destroy everything his embattled family holds dear, all must confront difficult truths as they fight to preserve what remains of their world.
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Margaret Atwood’s The Robber Bride is inspired by “The Robber Bridegroom,” a wonderfully grisly tale from the Brothers Grimm in which an evil groom lures three maidens into his lair and devours them, one by one. But in her version, Atwood brilliantly recasts the monster as Zenia, a villainess of demonic proportions, and sets her loose in the lives of three friends, Tony, Charis, and Roz. All three “have lost men, spirit, money, and time to their old college acquaintance, Zenia. At various times, and in various emotional disguises, Zenia has insinuated her way into their lives and practically demolished them.
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Lavinia, a seven-year-old Irish orphan with no memory of her past, arrives on a tobacco plantation where she is put to work as an indentured servant. Placed with the slaves in the kitchen house under the care of Belle, the master’s illegitimate daughter, Lavinia becomes deeply bonded to her new adopted family, even though she is forever set apart from them by her white skin. As Lavinia is slowly accepted into the world of the big house, where the master is absent and the mistress battles an opium addiction, she finds herself perilously straddling two very different worlds. When Lavinia marries the master’s troubled son and takes on the role of mistress,
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In thirty days Clementine Pritchard will be finished with her last painting and her life.
World-renowned artist and sharp-tongued wit Clementine Pritchard has decided that she’s done. After flushing away a medicine cabinet full of prescriptions, she gives herself thirty days to tie up loose ends—finish one last painting, make nice with her ex-husband, and find a home for her cat. Clementine plans to spend the month she has left in a swirl of art-world parties, manic work sessions, and outrageous acts—but what she doesn’t expect is to uncover secrets surrounding the tragedy that befell her mother and sister.
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In 2008, CBS’ Chief Foreign Correspondent, Lara Logan, candidly speculated about the human side of the war in Iraq: "Tell me the last time you saw the body of a dead American soldier. What does that look like? Who in America knows what that looks like? Because I know what that looks like, and I feel responsible for the fact that no one else does…" Logan’s query raised some important yet ignored questions: How did the remains of American service men and women get from the dusty roads of Fallujah to the flag-covered coffins at Dover Air Force Base? And what does the gathering of those remains tell us about the nature of modern warfare and about ourselves?
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