A young woman moves into a Paris apartment and discovers a storage room filled with the belongings of the previous owner, a certain Madeleine who died in her late nineties, and whose treasured possessions nobody seems to want. In an audacious act of journalism driven by personal curiosity and humane tenderness, Clara Beaudoux embarks on The Madeleine Project, documenting what she finds on Twitter with text and photographs, introducing the world to an unsung 20th century figure. Along the way, she uncovers a Parisian life indelibly marked by European history. This is a graphic novel for the Twitter age,
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A rich, sultry, ambitious novel about a young American writer/curator, fleeing a crumbling marriage in New York who travels with her nine-year old daughter to one of the remote islands in the north of Scotland, birthplace of her grandfather.
Commissioned to set up a museum there and to write the biography of the island’s celebrated poet and chronicler, Mhairi McPhail is slowly drawn in by the complicated life she is uncovering and writing about—the Bard of Fascaray—as she finds herself being transformed, awakened by the ferocity and power of the island.
Who was the celebrated poet,
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“There were seconds, when I woke, when the world felt unshrouded. Then memory returned.”
When Jessica regains consciousness in a French hospital on the day after the Paris attacks, all she can think of is fleeing the site of the horror she survived. But Patrick, the steadfast friend who hasn’t left her side, urges her to reconsider her decision. Worn down by his insistence, she reluctantly agrees to follow through with the trip they’d planned before the tragedy.
“The pages found you,” Patrick whispered.
“Now you need to figure out what they’re trying to say.”
During a stop at a country flea market,
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A magnificent new novel from one of America’s finest writers—a powerfully affecting story spanning the twentieth century of a widow and her daughter and the nuns who serve their Irish-American community in Brooklyn.
On a dim winter afternoon, a young Irish immigrant opens the gas taps in his Brooklyn tenement. He is determined to prove—to the subway bosses who have recently fired him, to his badgering, pregnant wife—“that the hours of his life belong to himself alone.” In the aftermath of the fire that follows, Sister St. Savior, an aging nun appears, unbidden, to direct the way forward for his widow and his unborn child.
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Male literary friendships are the stuff of legend; think Byron and Shelley, Fitzgerald and Hemingway. But the world’s best-loved female authors are usually mythologized as solitary eccentrics or isolated geniuses. Coauthors and real-life friends Emily Midorikawa and Emma Claire Sweeney prove this wrong, thanks to their discovery of a wealth of surprising collaborations: the friendship between Jane Austen and one of the family servants, playwright Anne Sharp; the daring feminist author Mary Taylor, who shaped the work of Charlotte Brontë; the transatlantic friendship of the seemingly aloof George Eliot and Harriet Beecher Stowe; and Virginia Woolf and Katherine Mansfield, most often portrayed as bitter foes,
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Clara Kelley is not who they think she is.
She’s not the experienced Irish maid who was hired to work in one of Pittsburgh’s grandest households. She’s a poor farmer’s daughter with nowhere to go and nothing in her pockets. But the other Clara Kelley has vanished, and pretending to be her just might get Clara some money to send back home.
If she can keep up the ruse, that is. Serving as a lady’s maid in the household of Andrew Carnegie requires skills she doesn’t have, answering to an icy mistress who rules her sons and her domain with an iron fist.
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