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THE WITCHES

The panic began early in 1692, over an exceptionally raw Massachusetts winter, when a minister’s niece began to writhe and roar. It spread quickly, confounding the most educated men and prominent politicians in the colony. Neighbors accused neighbors, husbands accused wives, parents and children one another. It ended less than a year later, but not before nineteen men and women had been hanged and an elderly man crushed to death.

Speaking loudly and emphatically, adolescent girls stood at the center of the crisis. Along with suffrage and Prohibition, the Salem witch trials represent one of the few moments when women played the central role in American history.

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VICTORIA

Drawing on Queen Victoria’s diaries, which she first started reading when she was a student at Cambridge University, Daisy Goodwin—creator and writer of the new PBS/Masterpiece drama Victoria and author of the bestselling novels The American Heiress and The Fortune Hunter—brings the young nineteenth-century monarch, who would go on to reign for 63 years, richly to life in this magnificent novel.

Early one morning, less than a month after her eighteenth birthday, Alexandrina Victoria is roused from bed with the news that her uncle William IV has died and she is now Queen of England.

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ONCE WE WERE SISTERS

When Sheila Kohler was thirty-seven, she received the heart-stopping news that her sister Maxine, only two years older, was killed when her husband drove them off a deserted road in Johannesburg.  Stunned by the news, she immediately flew back to the country where she was born, determined to find answers and forced to reckon with his history of violence and the lingering effects of their most unusual childhood—one marked by death and the misguided love of their mother.In her signature spare and incisive prose, Sheila Kohler recounts the lives she and her sister led. Flashing back to their storybook childhood at the family estate,

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THE ORNATRIX

In this exquisitely dark debut, Kate Howard delivers a stirring tale on the cost of beauty, packed with suspense and period detail worthy of Kate Mosse, Jessie Burton, and Tracy Chevalier.

Cursed from birth by the bird-shaped blemish across her face, Flavia spends much of her life hidden from the outside world. Lonely and alienated even from her family, she sabotages her sister’s wedding in a fit of jealous rage and is exiled to serve in the convent of Santa Giuliana. Soon she finds that another exile dwells in the convent: a former Venetian courtesan named Ghostanza whose ostentatious appearance clashes with the otherwise austere convent and sparks gossip throughout the town.

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LOVE, ALICE

A year ago, Dovie Larkin’s life was shattered when her fiancé committed suicide just weeks before their wedding. Now, plagued by guilt, she has become a fixture at the cemetery where William is buried, visiting his grave daily, waiting for answers she knows will never come.

Then one day, she sees an old woman whose grief mirrors her own. Fascinated, she watches the woman leave a letter on a nearby grave. Dovie ignores her conscience and reads the letter—a mother’s plea for forgiveness to her dead daughter—and immediately needs to know the rest of the story.

As she delves deeper,

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DAYS LIKE THESE

In the new novel from the author of Losing Me, one woman is about to discover what happens when you take the “grand” out of “grandma.”

Recently widowed, Judy Schofield jumps at the chance to look after her two grandchildren for six weeks while their parents are out of the country. After all, she’s already raised her own daughter—and quite successfully, if she may say so herself. But all it takes is a few days of private school functions, helicopter parents, video games, and never-ending Frozen sing-alongs for Judy to feel she’s in over her head.

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