Like Dylan Thomas’ Under Milk Wood and Sherwood Anderson’s Winesburg, Ohio, Brian Doyle’s stunning fiction debut brings a town to life through the jumbled lives and braided stories of its people.
In a small fictional town on the Oregon coast there are love affairs and almost-love-affairs, mystery and hilarity, bears and tears, brawls and boats, a garrulous logger and a silent doctor, rain and pain, Irish immigrants and Salish stories, mud and laughter. There’s a Department of Public Works that gives haircuts and counts insects, a policeman addicted to Puccini, a philosophizing crow,
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My name is Calvin Sinclair, I’m eleven years old and I have a confession…I killed my brother. It’s the summer before grade six and Calvin Sinclair is bored to tears. He’s recently moved from a big city to a small town and there’s nothing to do. It’s hot, he has no friends and the only kid around is his six-year-old brother, Sammy, who can barely throw a basketball as high as the hoop. Cal occupies his time by getting his brother to do almost anything: from collecting ants to doing Calvin’s chores. And Sammy is all too eager – as long as it means getting a “Level”
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Adam wants nothing more than to be a “normal” teen, but his reality is quickly leaking normal. Afraid to sleep because of the monster that stalks his dreams, Adam’s breakdown at school in front of his crush Sarah lands him in the hospital.
As he struggles to cope with his day-to-day life, Adam can only vaguely comprehend some sort of future. His mother died when he was only four and his eccentric father—who might be an assassin, a voodoo god, the reincarnation of the Buddha, or something even stranger—is never available when Adam really needs him. Even his paranoid grandfather,
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In 2010, Lucy and her long-term boyfriend John broke up. Three long, lonely years later, John returned to New York, walked into Lucy’s apartment, and proposed. This is not that story. It is the story of what came after: The Wedding.
DIY maven Lucy Knisley was fascinated by American wedding culture . . . but also sort of horrified by it. So she set out to plan and execute the adorable DIY wedding to end all adorable DIY weddings. And she succeeded. This graphic novel, Something New—clocking in at almost 300 pages of humor, despair,
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Before she became the legendary Mama Cass, one quarter of the mega-huge folk group The Mamas and the Papas, Cass Eliot was a girl from Baltimore trying to make it in the big city. After losing parts to stars like Barbra Streisand on the Broadway circuit, Cass found her place in the music world with an unlikely group of cohorts.
The Mamas and the Papas released five studio albums in their three years of existence. It was at once one of the most productive (and profitable) three years any band has ever had, and also one of the most bizarre and dysfunctional groups of people to ever come together to make music.
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Ivory Coast, 1978. Family and friends gather at Aya’s house every evening to watch the country’s first television ad campaign promoting the fortifying effects of Solibra, “the strong man’s beer.” It’s a golden time, and the nation, too—an oasis of affluence and stability in West Africa—seems fueled by something wondrous.
Who’s to know that the Ivorian miracle is nearing its end? In the sun-warmed streets of working-class Yopougon, aka Yop City, holidays are around the corner, the open-air bars and discos are starting to fill up, and trouble of a different kind is about to raise eyebrows.
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