Almost no one in Susan Choi’s latest novel, A Person of Interest, ever calls the book’s protagonist anything except for his title, “Professor,” and his last name, “Lee.” An aging Asian-born mathematics professor with decidedly limited personal skills, Lee is a prickly colleague and a reclusive neighbor—seemingly the last person who might attract the attention of FBI agents investigating a series of terrorist attacks. However, when a professor in the office next to Lee’s, an outgoing, popular hotshot named Rick Hendley, becomes the latest victim of a technology-hating psychopath known only as the Brain Bomber, Lee’s detached response to the event and his persistent acts of social maladroitness lead not only the Bureau but also the national news media and his own close acquaintances to regard him with damning suspicion.
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In the tradition of Jodi Picoult—a fresh, smart, and deeply moving novel about the power of faith, love, and family
Thirteen-year-old Nic Delano has a lot of questions. Like why does he have a babysitter at his age-and where did she get such long legs? But mostly, what exactly is the meaning of life?
His mother, Lucy, an astrophysicist and atheist, has always encouraged Nic to ask questions. But lately she doesn’t like the answers he’s getting. Nic has been hanging out with a group of devout Christians and is starting to embrace the Bible—and a very different view of the heavens.
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Now a major motion picture—”An intimate portrait of mental illness, of atrocious social neglect, and the struggle to resurrect a fallen prodigy.” –Mark Bowden, author of Black Hawk Down)
When Steve Lopez saw Nathaniel Ayers playing his heart out on a two-string violin on Los Angeles’ skid row, he found it impossible to walk away. More than thirty years earlier, Ayers had been a promising classical bass student at Juilliard—ambitious, charming, and also one of the few African-Americans—until he gradually lost his ability to function, overcome by schizophrenia.
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How do you cope in a world without your mother?
When Barbara realizes time is running out, she writes letters to her four daughters, aware that they’ll be facing the trials and triumphs of life without her at their side. But how can she leave them when they still have so much growing up to do?
Take Lisa, in her midthirties but incapable of making a commitment; or Jennifer, trapped in a stale marriage and buttoned up so tight she could burst. Twentysomething Amanda, the traveler, has always distanced herself from the rest of the family;
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She was taught to submit, to obey . . . but she dreamed of an empire.
The sole heir to the House of Omura, a venerable family of Kobe sake brewers, nineteen-year-old Rie hears but cannot heed her mother’s advice: that in nineteenth-century Japan, a woman must “kill the self” or her life will be too difficult to bear. In this strict, male-dominated society, women may not even enter the brewery—and repressive tradition demands that Rie turn over her family’s business to the inept philanderer she’s been forced to marry. She is even expected to raise her husband’s children by another woman—a geisha—so that they can eventually run the Omura enterprise.
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After Alice Pung’s family fled to Australia from the killing fields of Cambodia, her father chose Alice as her name because he thought their new country was a Wonderland. In this lyrical, bittersweet debut memoir—already an award-winning bestseller when it was published in Australia—Alice grows up straddling two worlds, East and West, her insular family and the Australia outside. With wisdom beyond her years and a keen eye for comedy in everyday life, she writes of the trials of assimilation and cultural misunderstanding, and of the tender but fraught relationships between three generations of women trying to live the Australian dream without losing themselves.
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