At times stern, at other times patient, at times perceptive, at other times in sad denial, Olive Kitteridge, a retired schoolteacher, deplores the changes in her little town of Crosby, Maine, and in the world at large, but she doesn’t always recognize the changes in those around her: a lounge musician haunted by a past romance; a former student who has lost the will to live; Olive’s own adult child, who feels tyrannized by her irrational sensitivities; and her husband, Henry, who finds his loyalty to his marriage both a blessing and a curse.
As the townspeople grapple with their problems,
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Rosamund Walsingham is not your average sixteenth-century lady. Plucked from her simple country home by her conniving cousin, the secretary of state Sir Francis Walsingham, Rosamund is sent to London to spy on Queen Elizabeth’s court. Francis asks her to gather information by keeping a sketchbook and diary of everything she observes and overhears in the queen’s private chambers. Her work at the court leads to an unexpected romance with a young playwright and courtier, Will Creighton.
In the throes of romance, Rosamund’s affair is discovered, and she is banished from Elizabeth’s court, but Francis believes Rosamund can be of use to his cause of entrapping Mary,
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George Gates used to be a travel writer who specialized in places where people disappeared—Judge Crater, the Lost Colony. Then his eight-year-old son was murdered, the killer never found, and Gates gave up disappearance. Now he writes for the town paper, stories of redemptive triviality about flower festivals and local celebrities, and spends his evenings haunted by the image of his son’s last day.
Enter Arlo McBride, a retired missing-persons detective still obsessed with the unsolved case of Katherine Carr. When he gives Gates the story she left behind—about a man stalking a woman named Katherine Carr—Gates too is drawn inexorably into a search for the missing author’s brief life and uncertain fate.
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The Servants’ Quarters, a complex and sophisticated love story, evokes a vanishing world of privilege with a Pygmalion twist. Haunted by phantoms of the Second World War and the Holocaust, young Cressida lives in terror of George Harding, who, severely disfigured, has returned from the front to recover in his family’s stately African home. When he plucks young Cressida’s beautiful mother and her family from financial ruin, establishing them in the old servants’ quarters of his estate, Cressida is swept into a future inexorably bound to his.
In the new setting, she finds that she is,
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Two misfits from warring clans come together in a rural Minnesota town of German immigrants during the tumultuous days of World War I. Liesel, the one girl in the upstanding family of Richter boys, harbors a secret about her body that thwarts all hope for a normal life. Her closest friend is Lester, the “slow” boy in the raffish Sutter family, a gentle, kind soul who spends his days trapping turtles in the lake. Yearning for human touch in the wake of her parents’ deaths, Liesel turns to her only friend – leading her brother, just returned from the war,
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When Jane Alison was a child, her family met another that seemed like its mirror: a father in the Foreign Service, a beautiful mother, and two little girls, the younger two—one of them Jane—sharing a birthday. With so much in common, the two families became almost instantly inseparable. Within months, affairs had ignited between the adults, and before long the pairs had exchanged partners—divorced, remarried, and moved on. As if in a cataclysm of nature, two families were ripped asunder, and two new ones were formed. Two pairs of girls were left in shock, a “silent, numb shock, like a crack inside stone,
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