In a remote, piney wood in Finland stands a convalescent hospital called Suvanto, a curving concrete example of austere Scandinavian design. It is the 1920s, and the patients, all women, seek relief from ailments real and imagined. On the lower floors are the stoic Finnish women; on the upper floors are foreign women of privilege—the “up-patients.” They are tended to by head nurse Sunny Taylor, an American who has fled an ill-starred life only to retreat behind a mask of crisp professionalism. On a late-summer day a new patient arrives on Sunny’s ward—a faded, irascible former ballroom-dance instructor named Julia Dey.
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Jane Clarke leads a simple yet rich life in the small village of Satucket on Cape Cod. The vibrant scent of the ocean breeze, the stark beauty of the dunes, the stillness of the millpond are among the daily joys she treasures. Her days are full attending to her father’s needs, minding her younger siblings, working with the local midwife. But at twenty-two, Jane knows things will change. Someday, perhaps soon, she will be expected to move out of her father’s home and start a household of her own.
Yet some things—including the bitter feud between her father and a fellow miller named Winslow—appear likely to remain the same.
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The remarkable heroines of Terry McMillan’s unforgettable novel are back—and are at a crossroads that will define their future. All four are learning to heal past hurts, and are more determined than ever to reclaim their lives and dreams. They’ve exhaled: now they are learning to breathe.
Now, McMillan revisits Savannah, Gloria, Bernadine, and Robin fifteen years later. Each is at her own midlife crossroads: Savannah has awakened to the fact that she’s made too many concessions in her marriage, and decides to face life single again-at fifty-one. Bernadine has watched her megadivorce settlement dwindle, been swindled by her husband number two,
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Daniel has spent centuries falling in love with the same girl. Life after life, crossing continents and dynasties, he and Sophia (despite her changing name and form) have been drawn together—and he remembers it all. For all the times that he and Sophia have been connected throughout history, they have also been torn painfully, fatally, apart.
But just when Sophia (now “Lucy” in the present) finally awakens to the secret of their shared past, the mysterious force that has always separated them reappears. Ultimately, they must come to understand what stands in the way of their love if they are ever to spend a lifetime together.
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While vacationing in India, Kiria Langdon, the opinionated and driven CEO of a major company, meets Santoshi, a former slave who now works as a cleaning lady and lives in a shelter for homeless women in Chennai. Appalled by the conditions in the shelter, Kiria becomes obsessed with the idea of building decent housing for poor working women in India. Santoshi reluctantly agrees to help, even though she thinks Kiria’s ideas are too crazy to succeed.
Embarking on a rich journey of personal discovery, both women will learn invaluable lessons about themselves as they forge a powerful bond of sisterhood across the barriers of language and culture—a bond that makes anything possible.
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Renowned painter Lilli Niles is at home in her North London flat when she receives an unexpected call from her elder sister, Bea, who’s at the family homestead in Whitehead, Massachusetts. Bea’s husband has just died, and she’d like Lilli to fly home to attend the funeral. There are reasons Lilli moved all the way to England to escape her older sister, reasons that have kept them estranged for decades. But something in Bea’s voice makes Lilli think it’s time to return to the stately house in New England she loved as a child, to the memory of the beloved younger sister they both lost.
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