Anna and Louise could be sisters, but they don’t know each other. They are both married with children, and for the most part, they are happy. On almost the same day, Anna, a psychiatrist, crosses paths with Yves, a writer, while Louise, a lawyer, meets Anna’s analyst, Thomas. Love at first sight is still possible for those into their forties and long-married. But when you have already mapped out a life path, a passionate affair can come at a high price. For our four characters, their lives are unexpectedly turned upside down by the deliciously inconvenient arrival of love. For Anna,
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Named a New York Times Editors’ Choice, a People magazine “Pick of the Week,” and an Indie Next and Midwest Connections selection, The Year We Left Home is the career-defining novel that Jean Thompson’s admirers have been waiting for: a sweeping and emotionally powerful story of a single American family during the tumultuous final decades of the twentieth century.
Stretching from the early 1970s in the Iowa farmlands to suburban Chicago and across the map of contemporary America, The Year We Left Home follows the Erickson siblings as they confront prosperity and heartbreak,
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Thailand’s pristine Ko Phi Phi island attracts tourists from around the world. There, struggling to make ends meet, small-resort owners Lek and Sarai are happy to give an American named Patch room and board in exchange for his help. But when Patch’s brother, Ryan, arrives, accompanied by his girlfriend, Brooke, Lek learns that Patch is running from the law, and his presence puts Lek’s family at risk. Meanwhile, Brooke begins to doubt her love for Ryan while her feelings for Patch blossom.
In a landscape where nature’s bounty seems endless, these two families are swept up in an approaching cataclysm that will require all their strength of heart and soul to survive…
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Three brothers tear their way through childhood—smashing tomatoes all over each other, building kites from trash, hiding out when their parents do battle, tiptoeing around the house as their mother sleeps off her graveyard shift. Paps and Ma are from Brooklyn—he’s Puerto Rican, she’s white—and their love is a serious, dangerous thing that makes and unmakes a family many times.
Life in this family is fierce and absorbing, full of chaos and heartbreak and the euphoria of belonging completely to one another. From the intense familial unity felt by a child to the profound alienation he endures as he begins to see the world,
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This
is the story of Kate and Michael. He was a sweet young boy, neglected by his
birth mother and now living with his dad.
Michael’s
father, Kate’s boyfriend, allowed Kate to become Michael’s mother—to care for
him and help raise him and to blossom in her unexpected new role. But when they
split up after six years, despite his early assurances to the contrary, the
father refused Kate access to the child. She had no rights. She was devastated.
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When Alyssa, a self-proclaimed shrinking violet, steals the school mascot, a goat, in order to make some friends with the popular crowd and gets caught, she gets herself in a heap of trouble. In addition, her parents decide that instead of taking her on their summer trip to Madagascar to study the courtship rituals of the Bamboo Lemur, she must go stay with her aunt, uncle, and bratty cousin Emily St. Claire in Willow Falls. Alyssa thinks it’s a good time to start over; she’ll be turning 13 after all, so she might as well make the best of it and perhaps even attempt to break out of her shell (in a non-criminal manner).
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