It’s never wise
to blackmail a highwayman…
Lady Corinne, rebellious daughter of the duke
of Banfield, refuses to marry Lord Freddie Sherwin.
Yes, he’s the catch of the Season and the man her father
chose for her. He’s also the most despicable male of her acquaintance.
With her wedding only weeks away, she flees and finds herself a prisoner
of the notorious Thorn!
Who says the devil isn’t a woman?
The rich and powerful tremble at the highwayman’s
name, while England’s villagers rejoice in his bold exploits.
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The year is 1984 and the city is Tokyo.
A young woman named Aomame follows a taxi driver’s enigmatic suggestion and begins to notice puzzling discrepancies in the world around her. She has entered, she realizes, a parallel existence, which she calls 1Q84 —”Q is for ‘question mark.’ A world that bears a question.” Meanwhile, an aspiring writer named Tengo takes on a suspect ghostwriting project. He becomes so wrapped up with the work and its unusual author that, soon, his previously placid life begins to come unraveled.
As Aomame’s and Tengo’s narratives converge over the course of this single year,
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After breaking off her engagement, thirty-something writing professor
Andi Cutrone abandons New England for her native Long Island to focus on
her career and start over. When she meets Devin at a cocktail party,
the sight of an honest-to-goodness male escort shocks her—and fascinates
her more than a little. Months later, Andi impulsively calls Devin.
Over cheesecake in Brooklyn, she offers him a proposition: he will teach
her how to be a better lover, and in return, she will give him writing
lessons. He agrees, and together they embark upon an intense partnership
that proves to be as instructive as it is arousing.
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A PORTION OF THE PROCEEDS FROM THIS BOOK WILL GO TO JAPAN DISASTER RELIEF
A major literary sensation is back with a quietly stunning tour de force about the redemptive power of love.
While The Lake shows off many of the features that have made Banana Yoshimoto famous—a cast of vivid and quirky characters, simple yet nuanced prose, a tight plot with an upbeat pace—it’s also one of the most darkly mysterious books she’s ever written.
It tells the tale of a young woman who moves to Tokyo after the death of her mother,
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Are the great love stories of the nineteenth century dead? Or can there be a new story, written for today and alive to the realities of feminism, sexual freedom, prenups, and divorce?
It’s the early 1980s. In American colleges, the wised-up kids are inhaling Derrida and listening to Talking Heads. But Madeleine Hanna, dutiful English major, is writing her senior thesis on Jane Austen and George Eliot, purveyors of the marriage plot that lies at the heart of the greatest English novels. As Madeleine studies the age-old motivations of the human heart, real life, in the form of two very different guys,
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Usnavy has always been a true believer.
When the Cuban Revolution triumphed in 1959, he was just a young man
and eagerly signed on for all of its promises. But as the years have
passed, the sacrifices have outweighed the glories and he’s become
increasingly isolated in his revolutionary zeal. His friends openly mock
him, his wife dreams of owning a car totally outside their reach, and
his beloved fourteen-year-old daughter haunts the coast of Havana,
staring north.
In the summer of 1994, a few years after the collapse of
the Soviet Union,
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