The return of the beautiful Countess Olenska into the rigidly conventional society of New York sends reverberations throughout the upper reaches of society.
Newland Archer, an eligible young man of the establishment is about to announce his engagement to May Welland, a pretty ingénue, when May’s cousin, Countess Olenska, is introduced into their circle. The Countess brings with her an aura of European sophistication and a hint of scandal, having left her husband and claimed her independence.
Her sorrowful eyes, her tragic worldliness and her air of unapproachability attract the sensitive Newland and, almost against their will,
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Over a hundred and fifty years after its initial publication, Emily Brontë’s turbulent portrayal of the Earnshaws and the Lintons, two northern English households nearly destroyed by violent passions in the last quarter of the eighteenth century, continues to provoke and fascinate readers. Heathcliff remains one of the best-known characters in the English novel, and Catherine Earnshaw’s impossible choice between two rivals retains its appeal for contemporary readers. At the same time, the novel’s highly ambivalent representations of domesticity, its famous reticence about its characters and their actions, its formal features as a story within a story, and the mystery of Heathcliff’s origins and identity provide material for classroom discussion at every level of study.
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Albinus, a respectable, middle-aged man and aspiring filmmaker, abandons his wife for a lover half his age: Margot, who wants to become a movie star herself. When Albinus introduces her to Rex, an American movie producer, disaster ensues. What emerges is an elegantly sardonic and irresistibly ironic novel of desire, deceit, and deception, a curious romance set in the film world of Berlin in the 1930s.
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Pip, a poor orphan being raised by a cruel sister, does not have much in the way of great expectations—until he is inexplicably elevated to wealth by an anonymous benefactor. Full of unforgettable characters—including a terrifying convict named Magwitch, the eccentric Miss Havisham, and her beautiful but manipulative niece, Estella, Great Expectations is a tale of intrigue, unattainable love, and all of the happiness money can’t buy. “Great Expectations has the most wonderful and most perfectly worked-out plot for a novel in the English language,” according to John Irving, and J. Hillis Miller declares, “
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Natsume Soseki’s only coming-of-age novel, Sanshiro depicts the eponymous twenty-three-year-old protagonist as he leaves the sleepy countryside to attend a university in the constantly moving “real world” of Tokyo. Baffled and excited by the traffic, the academics, and-most of all-the women, Sanshiro must find his way among the sophisticates that fill his new life. An incisive social and cultural commentary, Sanshiro is also a subtle portrait of first love, tradition, and modernization, and the idealism of youth against the cynicism of middle age.
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Grace Winter, 22, is both a newlywed and a widow. She is also on trial for her life.
In the summer of 1914, the elegant ocean liner carrying Grace and her husband Henry across the Atlantic suffers a mysterious explosion. Setting aside his own safety, Henry secures Grace a place in a lifeboat, which the survivors quickly realize has exceeded capacity. For any to live, some must die.
As the castaways battle the elements and each other, Grace recollects the unorthodox way she and Henry met, and the new life of privilege she thought she’d found.
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