1996 National Book Award Winner for Fiction.
The elegant short fictions gathered hereabout the love of science and the science of love are often set against the backdrop of the nineteenth century. Interweaving historical and fictional characters, they encompass both past and present as they negotiate the complex territory of ambition, failure, achievement, and shattered dreams. In "Ship Fever," the title novella, a young Canadian doctor finds himself at the center of one of history’s most tragic epidemics. In "The English Pupil," Linnaeus, in old age, watches as the world he organized within his head slowly drifts beyond his reach.
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This eagerly anticipated second volume of short stories is offered by nationally acclaimed writer Mary Ward Brown, often referred to as the “first lady” of Alabama letters.
With the 11 stories in this long-awaited collectiong, Mary Ward Brown once again offers her devoted fans a palette of new literary pleasures. The hallmarks of her style, so finely wrought in the award-winning Tongues of Flame (1986)–the fully realized characters, her deep sensitivity, a defining sense of place and time–are back in all their richness to involve and enchant the reader.
All but one of the stories are set in Alabama.
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In these eleven stories, Allan Gurganus—author of the highly acclaimed Oldest Living Confederate Widow Tells All—gives heartbreaking and hilarious voice to the fears, desires and triumphs of a grand cast of Americans.
Here are war heroes bewildered by the complex negotiations of family life, former debutantes called upon to muster resources they never knew they had, vacationing senior citizens confronted by their own bravery, and married men brought up short by the marvelous possibilities of entirely different lives. Written with flair, wit, and deep humanity, this award-winning volume confirms Allan Gurganus as one of the finest writers of our time.
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On the verge of giving up—anchored to dreams that never came true and to people who have long since disappeared from their lives—Van Booy’s characters walk the streets of these stark and beautiful stories until chance meetings with strangers force them to face responsibility for lives they thought had continued on without them.
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In Roxana Robinson’s lucid and elegant prose, her characters’ inner worlds open up to us, revealing private emotional cores that are familiar in their needs, their secrets, and their longings. These people tell us the truth–not only about themselves, their relationships, and their lives, but about ourselves as well. A Perfect Stranger powerfully and affectingly examines the complex, intricate network of experiences that binds us to one another. These stories are tender, raw, lovely, fine–and they reaffirm Roxana Robinson’s place at the forefront of modern literature.
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Megan Mayhew Bergman’s Birds of a Lesser Paradise captures the surprising moments when the pull of our biology becomes evident, when love collides with good sense, and when our attachments to an animal or wild place can’t be denied. In “Housewifely Arts,” a single mother and her son drive hours to track down an African Gray Parrot that can mimic her dead mother’s voice. A population control activist faces the ultimate conflict between loyalty to the environment and maternal desire in “Yesterday’s Whales.” And in the title story, a lonely naturalist allows an attractive stranger to lead her and her aging father on a hunt for an elusive woodpecker.
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