In the spring of 1959, The Diary of Anne Frank has just come to the silver screen to great acclaim, and a young woman named Margie Franklin is working in Philadelphia as a secretary at a Jewish law firm. On the surface she lives a quiet life, but Margie has a secret: a life she once lived, a past and a religion she has denied, and a family and a country she left behind.
Margie Franklin is really Margot Frank, older sister of Anne, who did not die in Bergen-Belsen as reported, but who instead escaped the Nazis for America.
When Elizabeth Endicott arrives in Aleppo, Syria, she has a diploma from Mount Holyoke, a crash course in nursing, and only the most basic grasp of the Armenian language. It’s 1915, and Elizabeth has volunteered to help deliver food and medical aid to refugees of the Armenian Genocide during the First World War. There she meets Armen, a young Armenian engineer who has already lost his wife and infant daughter. After leaving Aleppo and traveling into Egypt to join the British Army, he begins to write Elizabeth letters, realizing that he has fallen in love with the wealthy young American.
Filled with warmth and unforgettable humor, The Supremes at Earl’s All-You-Can-Eat tells the story of three remarkably resilient women: Odette, Clarice, and Barbara Jean.
Moving back and forth between past and present, the novel orbits around Earl’s All-You-Can-Eat diner, the first black-owned business in Plainview, Indiana. Clarice, Odette, and Barbara Jean (dubbed the Supremes by their friends) gather at the diner every Sunday to gossip, to hear the latest news of each other’s lives, and to comment on the town’s more eccentric characters, such as the consistently errant fortune-teller Minnie, Clarice’s ridiculously self-important cousin Veronica, and Veronica’s donut-addicted daughter Sharon.
With the same dynamic force and careful, clever craft that led to the overwhelming success of his award-winning 2001 novel Atonement, Ian McEwan presents a thrilling and unexpected spy novel that is much more than it seems.
It is 1972, and the Cold War still lingers. Despite her indefatigable love of literature, Serena Frome—the young, beautiful, and independent-minded daughter of an Anglican bishop—has somehow ended up a math student at Cambridge University. She is failing at her studies and bored with her life, until a brief and tragic affair with a university professor leads to her recruitment by the British secret service.
As the summer of 2004 draws to a close, Archy Stallings and Nat Jaffe are still hanging in there—longtime friends, bandmates, and co-regents of Brokeland Records, a kingdom of used vinyl located in the borderlands of Berkeley and Oakland. Their wives, Gwen Shanks and Aviva Roth-Jaffe, are the Berkeley Birth Partners, a pair of semi-legendary midwives who have welcomed more than a thousand newly minted citizens into the dented utopia at whose heart—half tavern, half temple—stands Brokeland.
When ex–NFL quarterback Gibson Goode, the fifth-richest black man in America, announces plans to build his latest Dogpile megastore on a nearby stretch of Telegraph Avenue,
In a sweeping tale that moves forward and backward in time across sixty years in Georgia and Philadelphia, Ayana Mathis’s extraordinary first novel tells the story of an unforgettable family—and an indomitable woman—caught in singular moment in American history.
In 1923, fifteen-year-old Hattie Shepherd, hoping for a chance at a better life, flees Georgia and settles in Philadelphia with her twin babies. Instead, she watches helplessly as they succumb to an illness that a few pennies might have prevented. Hattie gives birth to nine more children whom she raises with grit and mettle and not an ounce of the tenderness they crave,