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ART AND MADNESS

Luminous and intensely personal, Art and Madness recounts the lost years of Anne Roiphe’s twenties, when the soon-to-be-critically-acclaimed author put her dreams of becoming a writer on hold to devote herself to the magnetic but coercive male artists of the period.

Coming of age in the 1950s, Roiphe, the granddaughter of Jewish immigrants, grew up on Park Avenue and had an adolescence defined by privilege, petticoats, and social rules. At Smith College her classmates wore fraternity pins on their cashmere sweaters and knit argyle socks for their boyfriends during lectures. Young women were expected to give up personal freedom for devotion to home and children.

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SHADOW TAG

When Irene America discovers that her husband, Gil, has been reading her diary, she begins a secret Blue Notebook, stashed securely in a safe deposit box. There she records the truth about her life and her marriage, while turning her Red Diary hidden where Gil will find it into a manipulative farce. Alternating between these two records, complemented by unflinching third-person narration, Shadow Tag is an eerily gripping read.

When the novel opens, Irene is resuming work on her doctoral thesis about George Catlin, the nineteenth-century painter whose Native American subjects often regarded his portraits with suspicious wonder.

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INVISIBLE RIVER

When Evie and her father say good-bye at the train station, they are both on their own for the first time since her mother’s death. But Evie is not lonely for long. At art school in London, she is quickly caught up in colors and critiques, gallery visits and sketching expeditions. She finds fiercely loyal friends—Rob, pragmatic and pregnant; Bianca, dramatic and Italian; and Cecile, the sidelined ballerina—and stumbles tentatively toward a relationship with Zeb, a second-year sculptor with hair blue-black like a crow.

But when her father arrives in the city, sour with alcohol and slumped on the doorstep of her new home,

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RUSSIAN WINTER

A mysterious jewel holds the key to a life-changing secret, in this breathtaking tale of love and art, betrayal and redemption.

When she decides to auction her remarkable jewelry collection, Nina Revskaya, once a great star of the Bolshoi ballet, believes she has drawn a curtain on her past. Instead, the aged dancer finds herself overwhelmed by memories of her homeland and of the events—both glorious and heartbreaking—that changed the course of her life half a century before.

It was in Russia that she discovered the magic of the theatre; that she fell in love with the poet Viktor Elsin;

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WHEN WE DANCED ON WATER

At eighty-five, Teo is ready to retire from the bombast and romance of life as one of the world’s most influential choreographers. But when he meets Vivi, a fortyish waitress at a Tel Aviv café, the fires of his youth flare back to life—his passion for a woman’s touch, his long-buried anguish at his wartime experiences, and his complex engagement with dance. Vivi’s life will change, too, as the warmth of Teo’s affection counterbalances her harrowing time as an Israeli soldier in an illicit relationship. For both, their investment in art, and indeed in life itself, will reawaken as the ghosts of their suppressed pasts—from Warsaw to Copenhagen,

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NASHVILLE CHROME

In 1959, the Brown siblings were the biggest thing in country music. Their inimitable harmony would give rise to the polished sound of the multibillion dollar country-music industry we know today. But when the bonds of family began to fray, the flame of their celebrity proved as brilliant as it was fleeting. Masterfully jumping between the Browns’ once-auspicious past and the heartbreaking present, Nashville Chrome is the richly imagined story of a forgotten family and an unflinching portrait of an era in American music. In his “breath-catching, mythic and profoundly American tale of creation, destruction and renewal” (Kansas City Star),

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