Ever since her parents announced that they’re getting divorced, Veronica has been falling. Hard. A junior in college, she has fallen in love. She has fallen behind in her difficult coursework. She hates her job as counselor at the dorm, and she longs for the home that no longer exists. When an attempt to escape the pressure, combined with bad luck, lands her in a terrifying situation, a shaken Veronica calls her mother for help—only to find her former foundation too preoccupied to offer any assistance at all.
But Veronica only gets to feel hurt for so long.
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Intelligent, sensitive, and fiercely passionate, Martha Quest is a young woman living on a farm in Africa, feeling her way through the torments of adolescence and early womanhood. She is a romantic idealistic in revolt against the puritan snobbery of her parents, trying to live to the full with every nerve, emotion, and instinct laid bare to experience. For her, this is a time of solitary reading daydreams, dancing — and the first disturbing encounters with sex. The first of Doris Lessing’s timeless Children of Violence novels, Martha Quest is an endearing masterpiece.
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Ann Drayton and Georgette George meet as freshmen roommates at Barnard College in 1968. Ann, who comes from a wealthy New England family, is brilliant and idealistic. Georgette, who comes from a bleak town in upstate New York, is mystified by Ann’s romanticization of the underprivileged class, which Georgette herself is hoping college will enable her to escape. An intense and difficult friendship is born.
Years after a fight ends their friendship, Ann is convicted of a violent crime. As Georgette struggles to understand what has happened, she is led back to their shared history and to an examination of the revolutionary era in which the two women came of age.
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What part of our selves do we hide away in order to have a stable, prosperous life?
Pippa Lee has just such a life in place at age fifty, when her older husband, a retired publisher, decides that they should move to a retirement community outside New York City. Pippa is suddenly deprived of the stimulation and distraction that had held everything in place. She begins losing track of her own mind; her foundations start to shudder, and gradually we learn the truth of the young life that led her finally to settle down in marriage–years of neglect and rebellion,
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Spiritual and sensuous, divine and carnal, decay and regeneration. Sarika discovers this blend through her journey in the world of music. Life is not a simple black and white but a mix of the dichotomous. Music offers a unique lens through which to look at relationships: the guru-pupil, husband-wife, parent-child, artist-world. Each relationship brings its own complexities to an already complex world that goes on through each death into rebirth.
Divine Music is a sensitive look at the world of music, a microcosm of Indian society. The novel reaffirms our faith in life and in the ability of humans to go on living after a catastrophe.
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The boy wants nothing more than his maman’s lap and a view of the birds that soar over his Kurdish village. Nameless, impressionable, and watchful, the boy soon becomes a man in a mountaintop ritual with his baba, uncles, and cousins. And as a man, he must join the male villagers when they march to war against the shah’s army. But the Kurds, fierce protectors of their homeland against centuries of invasion, fall to the shah; the boy’s father is massacred before his eyes. As the only survivor, adopted by the very soldiers that murdered his father, the boy begins a new life as Reza Pejman Khourdi—conscripted soldier for the new Iran.
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