At 34, Scarlet Kavanagh has the kind of homecoming no child wishes, a visit back to family and dear friends for the gentle passing of her mother, Addie, a famous bird artist and an even more infamous environmental activist. Though Addie and her husband, ornithologist Tom Kavanagh, have made their life in southeastern Pennsylvania, Addie has chosen to die at the New Jersey home of her dearest friend, Cora. This is because the Kavanagh’s ramshackle cottage is filled with too much history and because, in the last ten years or so, and for reasons that are not entirely clear, even bird song has seemed to make Addie angry,
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Small wonder that, at nine years old, Monica Holloway develops a fascination with the local funeral home. With a father who drives his Ford pickup with a Kodak movie camera sitting shotgun just in case he sees an accident, and whose home movies feature more footage of disasters than of his children, Monica is primed to become a morbid child.
Yet in spite of her father’s bouts of violence and abuse, her mother’s selfishness and prim denial, and her siblings’ personal battles and betrayals, Monica never succumbs to despair. Instead, she forges her own way,
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In the small town of Stone Creek, a random encounter offers two lonely people a chance at happiness.
Danny, a young widower, still grieves for his late wife, but for the sake of his five-year-old son, Caleb, he knows he must move on. Alone in her summer house, Lily has left her workaholic husband, Paul, to his long hours and late nights back in the city. In Stone Creek, she can yearn in solitude for the treasure she’s been denied: a child.
What occurs when Lily and Danny meet is immediate and undeniable—despite Lily being ten years older and married.
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Perhaps it was because she was pregnant and hormones had eaten her brain that Judith O’Reilly was persuaded by her husband to leave London for the northern wilds. But pregnancy hadn’t addled her enough not to have a back-up plan: if life in the country didn’t measure up, the family would return to the city.
Far from home, Judith, a journalist and mother of three young children, discovers just how tough an assignment making a new life is. In the heart of the country, with no decent coffee in sight, Judith swaps high heels for rubber boots and media-darlings for evangelical strangers and farmers’
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Forty-two and divorced, Holli Templeton has begun to realize the pleasures of owning her life for the first time. But when she learns that her son Conner has unexpectedly fled college and moved to Texas with his troubled girlfriend Kilian, and she begins to note signs of decline in her beloved grandmother, Holli realizes she must once again put her family’s needs before her own. As if that’s not enough, Holli notices signs of serious decline in the beloved Texas grandmother who raised her. She has no choice but to leave the comfort zone of life in New York and return to her hometown in Texas to care for the people she loves.
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Clara Brodeur has spent her entire adult life pulling herself away from her famous mother, the renowned and controversial photographer Ruth Dunne, whose towering reputation rests on the unsettling nude portraits she took of her young daughter.
At age eighteen, sick of her notoriety as “the girl in the pictures,” Clara fled New York City, settling and making her own family in small-town Maine. But years later, when Ruth reaches out from her deathbed, Clara suddenly finds herself drawn back to the past she thought she had escaped. From the beloved author of Family History and Slow Motion,
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