“Sometimes you do not truly observe something until you study it in reverse,” writes Karim Issar upon arrival to New York City from Qatar in 1999. Fluent in numbers, logic, and business jargon yet often baffled by human connection, the young financial wizard soon creates a computer program named Kapitoil that predicts oil futures and reaps record profits for his company.
At first an introspective loner adrift in New York’s social scenes, he anchors himself to his legendary boss Derek Schrub and Rebecca, a sensitive, disillusioned colleague who may understand him better than he does himself. Her influence,
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Paris, July 1942: Sarah, a ten year-old girl, is brutally arrested with her family by the French police in the Vel’ d’Hiv’ roundup, but not before she locks her younger brother in a cupboard in the family’s apartment, thinking that she will be back within a few hours.
Paris, May 2002: On Vel’ d’Hiv’s 60th anniversary, journalist Julia Jarmond is asked to write an article about this black day in France’s past. Through her contemporary investigation, she stumbles onto a trail of long-hidden family secrets that connect her to Sarah. Julia finds herself compelled to retrace the girl’s ordeal,
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George Gates used to be a travel writer who specialized in places where people disappeared—Judge Crater, the Lost Colony. Then his eight-year-old son was murdered, the killer never found, and Gates gave up disappearance. Now he writes for the town paper, stories of redemptive triviality about flower festivals and local celebrities, and spends his evenings haunted by the image of his son’s last day.
Enter Arlo McBride, a retired missing-persons detective still obsessed with the unsolved case of Katherine Carr. When he gives Gates the story she left behind—about a man stalking a woman named Katherine Carr—Gates too is drawn inexorably into a search for the missing author’s brief life and uncertain fate.
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The Servants’ Quarters, a complex and sophisticated love story, evokes a vanishing world of privilege with a Pygmalion twist. Haunted by phantoms of the Second World War and the Holocaust, young Cressida lives in terror of George Harding, who, severely disfigured, has returned from the front to recover in his family’s stately African home. When he plucks young Cressida’s beautiful mother and her family from financial ruin, establishing them in the old servants’ quarters of his estate, Cressida is swept into a future inexorably bound to his.
In the new setting, she finds that she is,
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Two misfits from warring clans come together in a rural Minnesota town of German immigrants during the tumultuous days of World War I. Liesel, the one girl in the upstanding family of Richter boys, harbors a secret about her body that thwarts all hope for a normal life. Her closest friend is Lester, the “slow” boy in the raffish Sutter family, a gentle, kind soul who spends his days trapping turtles in the lake. Yearning for human touch in the wake of her parents’ deaths, Liesel turns to her only friend – leading her brother, just returned from the war,
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When Jane Alison was a child, her family met another that seemed like its mirror: a father in the Foreign Service, a beautiful mother, and two little girls, the younger two—one of them Jane—sharing a birthday. With so much in common, the two families became almost instantly inseparable. Within months, affairs had ignited between the adults, and before long the pairs had exchanged partners—divorced, remarried, and moved on. As if in a cataclysm of nature, two families were ripped asunder, and two new ones were formed. Two pairs of girls were left in shock, a “silent, numb shock, like a crack inside stone,
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