An 83-year-old obituary writer for a struggling, small-town newspaper finds herself embroiled in intrigue, stumbling onto the story of her career: a country girl has gone missing, perhaps whisked away by an itinerant aerial photographer. Or so it seems. It all could be simply a hoax, or a delusion, the child and child-thief invented from the desperate imagination of a lonely, lovelorn farm woman. The fragility of childhood, the strength of family, and the powerful rumor mills of small, rural towns—The Coffins of Little Hope tells the story of characters caught in the intricately woven webs of myth, legend and deception.
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I threw my neck out in the middle of Swan Lake last night.
So begins the tale of Kate Crane, a soloist in a celebrated New York City ballet company who is struggling to keep her place in a very demanding world. At every turn she is haunted by her close relationship with her younger sister, Gwen, a fellow company dancer whose career quickly surpassed Kate’s, but who has recently suffered a breakdown and returned home.
Alone for the first time in her life, Kate is anxious and full of guilt about the role she may have played in her sister’s collapse.
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In Terenure, a pleasant suburb of Dublin, it has snowed. Gina Moynihan, girl about town, recalls the trail of lust and happenstance that brought her to fall for "the love of her life," Se n Vallely. As the city outside comes to a halt, Gina remembers their affair: long afternoons made blank by bliss and denial. Now, as the silent streets and falling snow make the day luminous and full of possibility, Gina awaits the arrival of Se n’s fragile, twelve-year-old daughter, Evie-the complication, and gravity, of this second life. In this extraordinary novel, Anne Enright speaks directly to the readers she won with The Gathering.
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From earliest childhood, the precocious boy called Iago had inconvenient tendencies toward honesty—a failing that made him an embarrassment to his family and an outcast in the corrupt culture of glittering Renaissance Venice. Embracing military life as an antidote to the frippery of Venetian society, Iago won the love of the beautiful Emilia and the regard of Venice’s revered General Othello. After years of abuse and rejection, Iago was poised to achieve everything he had ever fought for and dreamed of . . .
But a cascade of unexpected deceptions propels him on a catastrophic quest for righteous vengeance,
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Heather and Mack McKay seem to have it all: wealth, a dream house in the suburbs, and two adorable children along with the nannies to raise them. But their marriage has lost its savor: she is a frustrated writer and he longs for a cultural trophy to hang on his belt.
During a chance encounter in LA, Mack invites exiled writer Zoltan Barbu—once lionized as a political hero, now becoming a has-been—to live with him and his wife in their luxurious home. The plan should provide Heather with literary companionship, Mack with cultural cachet, and Zoltan himself with a pastoral environment in which to overcome his writer’s block and produce a masterpiece.
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Ten years ago, Claire Dederer put her back out while breastfeeding her baby daughter. Told to try yoga by everyone from the woman behind the counter at the co-op to the homeless guy on the corner, she signed up for her first class. She fell madly in love.
Over the next decade, she would tackle triangle, wheel, and the dreaded crow, becoming fast friends with some poses and developing long-standing feuds with others. At the same time, she found herself confronting the forces that shaped her generation. Daughters of women who ran away to find themselves and made a few messes along the way,
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