The innocence of childhood, the unknown of adulthood, and the search for forgiveness . . .
Emily Stewart is the girl who claims to stand between the living and the dead. During the quiet summer of 1925, she and her brother, Michael, are thirteen-year-old twins-privileged, precocious, wandering aimlessly around their family’s estate. One day, Emily discovers that she can secretly crack her ankle in such a way that a sound appears to burst through the stillness of midair. Emily and Michael gather the neighborhood children to fool them with these “spirit knockings.”
Soon, however,
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In this luminous new novel about love, loss, and the unpredictable power of memory, John Banville introduces us to Max Morden, a middle-aged Irishman who has gone back to the seaside town where he spent his summer holidays as a child to cope with the recent loss of his wife. It is also a return to the place where he met the Graces, the well-heeled family with whom he experienced the strange suddenness of both love and death for the first time. What Max comes to understand about the past, and about its indelible effects on him, is at the center of this elegiac,
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“When I look back on my childhood I wonder how I managed to survive at all. It was, of course, a miserable childhood: the happy childhood is hardly worth your while. Worse than the ordinary miserable childhood is the miserable Irish childhood, and worse yet is the miserable Irish Catholic childhood.”
So begins the luminous memoir of Frank McCourt, born in Depression-era Brooklyn to recent Irish immigrants and raised in the slums of Limerick, Ireland. Frank’s mother, Angela, has no money to feed the children since Frank’s father, Malachy, rarely works, and when he does he drinks his wages.
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It began with Benny Hogan and Eve Malone, growing up, inseparable, in the village of Knockglen. Benny—the only child, yearning to break free from her adoring parents…Eve—the orphaned offspring of a convent handyman and a rebellious blueblood, abandoned by her mother’s wealthy family to be raised by nuns. Eve and Benny—they knew the sins and secrets behind every villager’s lace curtains…except their own.
It widened at Dublin, at the university where Benny and Eve met beautiful Nan Mahlon and Jack Foley, a doctor’s handsome son. But heartbreak and betrayal would bring the worlds of Knockglen and Dublin into explosive collision.
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It all comes down to love or money in a harrowing custody battle over a little girl, set against the glossy backdrop of the magazine and advertising worlds in 1960s London.
A privileged girl from a privileged class, Eliza has a dazzling career in the magazine world of the 1960s. But when she falls deeply in love with Matt, an edgy working-class boy, she gives up her ritzy, fast-paced lifestyle to get married.
By the end of the decade, however, their marriage has suffered a harrowing breakdown, culminating in divorce and a dramatic courtroom custody battle over their little girl.
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What is it like to mourn today, in a culture that has largely set aside rituals that acknowledge grief? After her mother died of cancer at the age of fifty-five, Meghan O’Rourke found that nothing had prepared her for the intensity of her sorrow. She began to create a record of her interior life as a mourner, trying to capture the paradox of grief—its monumental agony and microscopic intimacies—an endeavor that ultimately bloomed into a profound look at how caring for her mother during her illness changed and strengthened their bond. With lyricism and unswerving candor, The Long Goodbye captures the fleeting moments of joy that make up a life and the way memory can lead us out of the jagged darkness of loss.
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