New essays from the vantage point of very old age, once again “alternately lyrical and laugh-out-loud funny,” (New York Times) from the former poet laureate of the United States
Donald Hall has lived a remarkable life of letters, one capped most recently by the New York Times bestseller Essays After Eighty, a “treasure” of a book in which he “balance[s] frankness about losses with humor and gratitude” (Washington Post). Now nearing ninety, Hall delivers a new collection of self-knowing, fierce, and funny essays on aging,
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A dark, compulsively readable psychological suspense debut, the first in a new series featuring the brilliant, fearless, chaotic, and deeply flawed Nora Watts—a character as heartbreakingly troubled, emotionally complex, and irresistibly compelling as Stieg Larsson’s Lisbeth Salander and Jo Nesbø’s Harry Hole.
It begins with a phone call that Nora Watts has dreaded for fifteen years—since the day she gave her newborn daughter up for adoption. Bonnie has vanished. The police consider her a chronic runaway and aren’t looking, leaving her desperate adoptive parents to reach out to her birth mother as a last hope.
A biracial product of the foster system,
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New York Times Bestselling Author of A Paris Apartment
The ocean, the wild roses on the dunes and the stunning Cliff House, perched atop a bluff in Sconset, Nantucket. Inside the faded pages of the Cliff House guest book live the spellbinding stories of its female inhabitants: from Ruby, a bright-eyed newlywed on the eve of World War II to her granddaughter Bess, who returns to the beautiful summer estate.
For the first time in four years, physician Bess Codman visits the compound her great-grandparents built almost a century before, but due to erosion,
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Allison Pearson’s brilliant debut novel, I Don’t Know How She Does It, was a New York Times bestseller with four million copies sold around the world. Called “the definitive social comedy of working motherhood” (The Washington Post) and “a hysterical look—in both the laughing and crying senses of the world—at the life of Supermom” (The New York Times), I Don’t Know How She Does It introduced Kate Reddy, a woman as sharp as she was funny. As Oprah Winfrey put it, Kate’s story became “the national anthem for working mothers.”
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Humor and sorrow join together in Jamie Weisman’s captivating debut novel—the story of an interfaith wedding from the perspectives of its (adoring, envious, resentful, hilarious) guests
One afternoon in Atlanta, Georgia. Two people heading to the altar. One hundred fifty guests. The bride, Elizabeth Gottlieb, proud graduate of the University of Virginia and of Emory University School of Law, member of Atlanta’s wealthy Jewish elite. The groom, Hank Jackson, not a member. Not a Jew. The couple of the hour, however, is beside the point, because We Are Gathered belongs to the guests.
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A writer embarks on an epic quest in search of his missing father’s stolen bicycle and soon finds himself caught up in the strangely intertwined stories of Lin Wang, the oldest elephant who ever lived, the soldiers who fought in the jungles of South-East Asia during the Second World War and the secret worlds of the butterfly handicraft makers and antique bicycle fanatics of Taiwan.
The Stolen Bicycle is both a majestic historical novel and a profound, startlingly intimate meditation on memory, family and home.
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