You may not know it, but you’ve met Augusten Burroughs. You’ve seen him on the street, in bars, on the subway, at restaurants: a twenty-something guy, nice suit, works in advertising. Regular. Ordinary. But when the ordinary person had to drinks, Augusten was circling the drain by having twelve; when the ordinary person went home at midnight, Augusten never went home at all. Loud, distracting ties, automated wake-up calls, and cologne on the tongue could only hide so much for so long. At the request (well, it wasn’t really a request) of his employers, Augusten landed in rehab, where his dreams of group therapy with Robert Downey,
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Running with Scissors is the true story of a boy whose mother (a poet with delusions of Anne Sexton) gave him away to be raised by her unorthodox psychiatrist who bore a striking resemblance to Santa Claus. So at the age of twelve, Burroughs found himself amidst Victorian squalor living with the doctor’s bizarre family, and befriending a pedophile who resided in the backyard shed. The story of an outlaw childhood where rules were unheard of, and the Christmas tree stayed up all year round, where Valium was consumed like candy, and if things got dull an electroshock- therapy machine could provide entertainment.
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Sid is going crazy . . .
A telemarketer at a travel agency, Sid is becoming unhinged and superneurotic. Lately he’s been obsessed with car washes and mud baths. His hypochondria is driving his doctor sister mad. And it’s all because of his ex-girlfriend, Zoe, who’s sending him postcards from her European adventure, one that they were supposed to take together. It’s all quite upsetting.
A fact-finding tour of local post offices—and a new friendship with postman Gerald—followed by a solo European jaunt will do little to ease his anxiety. A long talk with his mother’s spirit in a wine bottle doesn’t help either.
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London: the week before Christmas, 2007. Over seven days we follow the lives of seven major characters: a hedge fund manager trying to bring off the biggest trade of his career; a professional footballer recently arrived from Poland; a young lawyer with little work and too much time to speculate; a student who has been led astray by Islamist theory; a hack book reviewer; a schoolboy hooked on reality TV and genetically altered pot; and a Tube train driver whose Circle Line train joins these and countless other lives together in a daily loop.
With daring skill and savage humor,
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A fading English finishing school gets a twenty-first-century makeover in this “modern-day fairy tale” (Romantic Times) from New York Times bestselling author Hester Browne, whose sparkling novels are “charming and feel-good” (Cosmopolitan).
Twenty-seven years ago, an infant turned up on the doorstep of London’s esteemed Phillimore Academy for Young Ladies. Now, Betsy Phillimore returns to the place where she was lovingly raised by Lord and Lady Phillimore, only to find the Academy in disrepair and Lord P. desperate to save his legacy. Enter Betsy with a savvy business plan to replace dusty protocol with the essentials girls need today: cell phone etiquette,
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A hysterical phone call from Henry Archer’s ex-wife and a familiar face in a photograph upend his well-ordered life and bring him back into contact with the child he adored, a short-term stepdaughter from a misbegotten marriage long ago. Henry is a lawyer, an old-fashioned man, gay, successful, lonely. Thalia is now twenty-nine, an actress-hopeful, estranged from her newly widowed eccentric mother–Denise, Henry’s ex. Hoping it will lead to better things for her career, Thalia agrees to pose as the girlfriend of a horror-movie luminary who is down on his romantic luck. When Thalia and her complicated social life move into the basement of Henry’s Upper West Side townhouse,
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