A provocative and hauntingly powerful debut novel reminiscent of Sliding Doors, The Bookseller follows a woman in the 1960s who must reconcile her reality with the tantalizing alternate world of her dreams.
Nothing is as permanent as it appears . . .
Denver, 1962: Kitty Miller has come to terms with her unconventional single life. She loves the bookshop she runs with her best friend, Frieda, and enjoys complete control over her day-to-day existence. She can come and go as she pleases, answering to no one. There was a man once, a doctor named Kevin,
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The New York Times bestselling author of The Monogram Murders—in the ranks of Ruth Rendell, Deborah Crombie, Kimberly McCreight, and Tana French—makes her William Morrow debut with a dark and chilling psychological thriller in which a woman desperate to hide a devastating secret in her past is drawn into a murder investigation.
Traffic on Elmhirst Road has come to a halt. The police are stopping cars, searching for something. Nicki Clements waits patiently, until she glimpses a face she hoped she’d never see again. It’s him—and he’s the cop checking each car. Desperate to avoid him,
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Slightly hobbled by a twisted ankle, crime-solving restaurateur Aunty Lee begrudgingly agrees to take a rest from running her famous café, Aunty Lee’s Delights, and turns over operations to her friend and new business partner Cherril.
The café serves as a meeting place for an animal rescue society that Cherril once supported. They were forced to dissolve three years earlier after a British expat killed the puppy she’d adopted, sparking a firestorm of scandal. The expat, Allison Fitzgerald, left Singapore in disgrace, but has returned with an ax to grind (and a lawsuit). At the café one afternoon,
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Shane has always worshiped his big brother, Jeremy. But three tours in Iraq and Afghanistan have taken their toll, and the easy-go-lucky brother Shane knew has been replaced by a surly drunk who carries his loaded 9mm with him everywhere and lives in the basement because he can’t face life with his wife and two small children. When Jeremy shows up after Shane’s football game and offers to take him to the family cabin overnight, Shane goes along — both to get away from a humiliation on the field and to keep an eye on Jeremy, who’s AWOL from his job at Quantico and seems to have a shorter fuse than ever.
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With poetic precision and psychological acuity, Norah Vincent’s Adeline reimagines the events that brought Woolf to the banks of the River Ouse, offering us a denouement worthy of its protaganist. Channeling Virginia and Leonard Woolf, T. S. and Vivienne Eliot, Lytton Strachey, and Dora Carrington, Vincent lays bare their genius and their blind spots, their achievements and their failings, from the inside out. And haunting every page is Adeline, the name given to Virginia Stephen at birth, which becomes the source of Virginia’s greatest consolation, and her greatest torment.
Intellectually and emotionally disarming, Adeline—a vibrant portrait of Woolf and her social circle,
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A masterful new novel charts the circuitous course of the sole surviving work of a female Dutch painter
This is what we long for: the profound pleasure of being swept into vivid new worlds, worlds peopled by characters so intriguing and real that we can't shake them, even long after the reading's done. In his earlier, award-winning novels, Dominic Smith demonstrated a gift for coaxing the past to life. Now, in The Last Painting of Sara de Vos, he deftly bridges the historical and the contemporary, tracking a collision course between a rare landscape by a female Dutch painter of the golden age,
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