Avidly Reads is a series of short books about how culture makes us feel. Founded in 2012 by Sarah Blackwood and Sarah Mesle, Avidly—an online magazine supported by the Los Angeles Review of Books—specializes in short-form critical essays devoted to thinking and feeling. Avidly Reads is an exciting new series featuring books that are part memoir, part cultural criticism, each bringing to life the author’s emotional relationship to a cultural artifact or experience. Avidly Reads invites us to explore the surprising pleasures and obstacles of everyday life.
Writer and critic Eric Thurm digs deep into his own experience as a board game enthusiast to explore the emotional and social rules that games create and reveal,
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Award-winning Speak author Laurie Halse Anderson’s New York Times bestselling poetic memoir and call to action, which garnered eight starred reviews!
Bestselling author Laurie Halse Anderson is known for the unflinching way she writes about, and advocates for, survivors of sexual assault. Now, inspired by her fans and enraged by how little in our culture has changed since her groundbreaking novel Speak was first published twenty years ago, she has written a critically acclaimed poetry memoir that is as vulnerable as it is rallying, as timely as it is timeless. In free verse,
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Elizabeth Wurtzel’s New York Times best-selling memoir, with a new afterword.
Elizabeth Wurtzel writes with her finger on the faint pulse of an overdiagnosed generation whose ruling icons are Kurt Cobain, Xanax, and pierced tongues. Her famous memoir of her bouts with depression and skirmishes with drugs, Prozac Nation is a witty and sharp account of the psychopharmacology of an era for readers of Girl, Interrupted and Sylvia Plath’s The Bell Jar.
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Sounds Like Titanic tells the unforgettable story of how Jessica Chiccehitto Hindman became a fake violinist. Struggling to pay her college tuition, Hindman accepts a dream position in an award-winning ensemble that brings ready money. But the ensemble is a sham. When the group performs, the microphones are off while the music—which sounds suspiciously like the soundtrack to the movie Titanic—blares from a hidden CD player. Hindman, who toured with the ensemble and its peculiar Composer for four years, writes with unflinching candor and humor about her surreal and quietly devastating odyssey. Sounds Like Titanic is at once a singular coming-of-age memoir about the lengths to which one woman goes to make ends meet and an incisive articulation of modern anxieties about gender,
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A Belletrist Book of the Month, this “exquisite memoir” (Los Angeles Times) is the perfect balm for any reader who has experienced loss.
Lipsticks applied, novels read, imperfect cakes baked—such memories are recalled with “crystalline perfection” (J.C. Hallmann, Brooklyn Rail) in Sarah McColl’s breathtaking testimonial to the joy and pain of loving well. When her mother, Allison, was diagnosed with cancer, McColl dropped everything—including her on-the-rocks marriage—to return to the family farmhouse and fix elaborate meals in the hope of nourishing her back to health. In “thoughtful and finely crafted prose” (Martha Anne Toll,
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A top-ranked horse trainer’s gorgeous, life-affirming memoir that offers profound insight into the fascinating ways both horses and humans seek relationships to survive.
At the start of this remarkable story of recovery, healing, and redemption, Ginger Gaffney answers a call to help retrain the troubled horses at an alternative prison ranch in New Mexico, a facility run entirely by the prisoners. The horses are scavenging through the dumpsters, kicking and running down the residents when they bring the trash out after meals. One horse is severely injured.
The horses and residents arrive at the ranch broken in one way or many: the horses are defensive and terrified,
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