#1 New York Times Bestseller
What had happened to my beautiful boy? To our family?What did I do wrong? Those are the wrenching questions that haunted every moment of David Sheff ’s journey through his son Nic’s addiction to drugs and tentative steps toward recovery. Before Nic Sheff became addicted to crystal meth, he was a charming boy, joyous and funny, a varsity athlete and honor student adored by his two younger siblings. After meth, he was a trembling wraith who lied, stole, and lived on the streets.David Sheff traces the first subtle warning signs: the denial,
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“If I had given it much thought, I might have hesitated to marry a man for whom at the age of 45 much of the past was too painful to consider—for either of us. Truthfully, thought had little to do with it. Instinct did—the instinct to seize a sure and ebullient happiness or go down trying.”
Falling in love is arguably the greatest risk and leap of faith any of us take. There’s no guarantee for future happiness, no protection from the ugly scars of the past, no shield from tragedy—this powerful memoir reminds us why we bother.
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Gaby Stanton, an American professor living in Japan, has lost her job teaching English at Shizuyama University. (No one will tell her exactly why.) Alex Thorn, an American psychologist, is mourning his son, a Shizuyama exchange student who was killed in an accident. (No one will tell him exactly how.) Alex has come to this utterly foreign place to find the truth, and now Gaby is serving as his translator and guide. The key to mastering Japanese, she keeps telling him, is understanding what’s not being said. And in this “deft and delightful” (Karen Joy Fowler) novel, the unsaid truths about everything from work and love to illness and death cast a deafening silence-and tower in the background like Mount Fuji itself.
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Ms. Beatrice Hempel, teacher of seventh grade, is new—new to teaching, new to the school, newly engaged, and newly bereft of her idiosyncratic father. Grappling awkwardly with her newness, she struggles to figure out what is expected of her in life and at work. Is it acceptable to introduce swear words into the English curriculum, enlist students to write their own report cards, or bring up personal experiences while teaching a sex-education class?
Sarah Shun-lien Bynum finds characters at their most vulnerable, then explores those precarious moments in sharp, graceful prose. From this most innovative of young writers comes another journey down the rabbit hole to the wonderland of middle school,
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Teenage Joon is a Korean immigrant living in the Bronx of the 1980s. Her parents have crumbled under the weight of her father’s infidelity; he has left the family, and mental illness has rendered her mother nearly catatonic. So Joon, at the age of thirteen, decides she would be better off on her own, a choice that commences a harrowing and often tragic journey that exposes the painful difficulties of a life lived on the margins. Joon’s adolescent years take her from a homeless shelter to an escort club, through struggles with addiction, to jobs selling newspapers and cosmetics, committing petty crimes,
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Hailed as “one of our best writers” by The Washington Post’s Jonathan Yardley, Roxana Robinson writes fiction that deftly explores the limits of human endurance, opening our eyes to the subtle landscape of memory and fate. In Cost, she brings us the gripping story of a fragile family tested when a son spirals into addiction.
The novel opens as art professor Julia Lambert, in her beloved summer house in Maine, settles into a visit from her aging parents. Her mother is beginning her descent into Alzheimer’s, while her father, who was once a renowned neurosurgeon,
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