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BEFORE THE POISON

Chris Lowndes built a comfortable career composing scores for films in Hollywood. But after twenty-five years abroad, and still quietly reeling from the death of his beloved wife, he decides to return to the Yorkshire dales of his youth. To ease the move, he buys Kilnsgate House, a rambling old mansion deep in the country.

Although Chris finds Kilnsgate charming, something about the house disturbs him, a vague sensation that the long-empty rooms have been waiting for him—feelings made ever stronger when he learns that the house was the scene of a murder more than fifty years before.

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SOLO

With an imaginative audacity and lyrical brilliance that puts him in the company of David Mitchell and Aleksandar Hemon, Rana Dasgupta paints a portrait of a century though the story of a hundred-year-old blind Bulgarian man in a first novel that announces the arrival of an exhilarating new voice in fiction.

In the first movement of Solo we meet Ulrich, the son of a railroad engineer, who has two great passions: the violin and chemistry. Denied the first by his father, he leaves for the Berlin of Einstein and Fritz Haber to study the latter. His studies are cut short when his father’s fortune evaporates,

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THE FOREIGNERS

A glittering, energetic novel set in the eccentric and decadent city of Buenos Aires, where three women discover their own kinds of awakenings.

Buenos Aires is a city of Parisian affectations and national anxiety, of amorous young lovers, seedy ports, flooded slums, and a dazzling social elite. And in this heady maze of contradiction and possibility are three women: Daisy, an American divorcée; Isolde, a beautiful, lonely Austrian; and Leonarda, a chameleonic Argentine with radical dreams of rebellion.

Against the throbbing backdrop of this shimmering city—a character in itself—Maxine Swann has created a stunning narrative of reawakened sensuality and compulsive desire that simultaneously explores with remarkable acuity themes of foreignness,

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WHERE WE BELONG

The author of five blockbuster novels, Emily Giffin, delivers an unforgettable story of two women, the families that make them who they are, and the longing, loyalty and love that binds them together.

Marian Caldwell is a thirty-six year old television producer, living her dream in New York City. With a fulfilling career and satisfying relationship, she has convinced everyone, including herself, that her life is just as she wants it to be. But one night, Marian answers a knock on the door . . . Only to find Kirby Rose, an eighteen-year-old girl with a key to a past that Marian thought she had sealed off forever.

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THE WHITE PEARL

National bestselling author of The Russian Concubine, Kate Furnivall spins a tale of war, desperation, and the discovery of love off the coast of Malaya.

Malaya, 1941. Connie Thornton plays her role as a dutiful wife and mother without complaint. She is among the fortunate after all-the British rubber plantation owners reaping the benefits of the colonial life. But Connie feels as though she is oppressed, crippled by boredom, sweltering heat, a loveless marriage. . .

Then, in December, the Japanese invade. Connie and her family flee, sailing south on their yacht toward Singapore,

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LOSING CLEMENTINE

In thirty days Clementine Pritchard will be finished with her last painting and her life.

World-renowned artist and sharp-tongued wit Clementine Pritchard has decided that she’s done. After flushing away a medicine cabinet full of prescriptions, she gives herself thirty days to tie up loose ends—finish one last painting, make nice with her ex-husband, and find a home for her cat. Clementine plans to spend the month she has left in a swirl of art-world parties, manic work sessions, and outrageous acts—but what she doesn’t expect is to uncover secrets surrounding the tragedy that befell her mother and sister.

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