Almost no one in Susan Choi’s latest novel, A Person of Interest, ever calls the book’s protagonist anything except for his title, “Professor,” and his last name, “Lee.” An aging Asian-born mathematics professor with decidedly limited personal skills, Lee is a prickly colleague and a reclusive neighbor—seemingly the last person who might attract the attention of FBI agents investigating a series of terrorist attacks. However, when a professor in the office next to Lee’s, an outgoing, popular hotshot named Rick Hendley, becomes the latest victim of a technology-hating psychopath known only as the Brain Bomber, Lee’s detached response to the event and his persistent acts of social maladroitness lead not only the Bureau but also the national news media and his own close acquaintances to regard him with damning suspicion.
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Now a major motion picture—”An intimate portrait of mental illness, of atrocious social neglect, and the struggle to resurrect a fallen prodigy.” –Mark Bowden, author of Black Hawk Down)
When Steve Lopez saw Nathaniel Ayers playing his heart out on a two-string violin on Los Angeles’ skid row, he found it impossible to walk away. More than thirty years earlier, Ayers had been a promising classical bass student at Juilliard—ambitious, charming, and also one of the few African-Americans—until he gradually lost his ability to function, overcome by schizophrenia.
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How do you cope in a world without your mother?
When Barbara realizes time is running out, she writes letters to her four daughters, aware that they’ll be facing the trials and triumphs of life without her at their side. But how can she leave them when they still have so much growing up to do?
Take Lisa, in her midthirties but incapable of making a commitment; or Jennifer, trapped in a stale marriage and buttoned up so tight she could burst. Twentysomething Amanda, the traveler, has always distanced herself from the rest of the family;
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Eleanor Cahn, a professor of literature, wife of a preeminent surgeon, and devoted mother of two, is in Paris to present a paper on Anna Karenina. A chance encounter brings to the surface passions she has suppressed for years. As The Life Room unfolds, we learn the secrets of her erotic past: ethereal William, her high school boyfriend; her role as muse to troubled painter Adam; her marriage to loyal, steady Michael. On her return to New York, Eleanor’s charged attraction to another man takes on a life of its own, threatening to destroy everything she has.
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From the moment he was born, Andrew Bridge and his mother Hope shared a love so deep that it felt like nothing else mattered. Trapped in desperate poverty and confronted with unthinkable tragedies, all Andrew ever wanted was to be with his mom. But as her mental health steadily declined, and with no one else left to care for him, authorities arrived and tore Andrew from his screaming mother’s arms. In that moment, the life he knew came crashing down around him. He was only seven years old.
Hope was institutionalized, and Andrew was placed in what would be his devastating reality for the next eleven years—foster care.
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In a city where old is meeting new, daughters are surprising mothers, and love is breaking all the rules, this heartfelt and wickedly funny cross-cultural debut novel introduces a smart, irreverent young woman searching for independence and matrimony in a culture bound by tradition.
Between elegant soirees and the occasional mortifying mishap, Aisha Bhatia’s job as guest relations manager at New Delhi’s five-star Grand Orchid Hotel is intermittently fabulous—she certainly knows her wines and cheeses. But despite a life filled with good friends and first-class travel accommodations, the fact is that not many twenty-nine-year-old women in India are single—as Aisha’s mother never fails to remind her.
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