Sarah McConnell’s husband had been dead for three months when she saw him in the grocery store.
What does a woman do when she’s thirty-nine, childless, and completely alone for the first time in her life? Does it mean she’s crazy to think she sees her late husband beside a display of pumpkins? Or is it just what people do, a natural response to grief that will fade in time? That’s what Sarah McConnell’s friends told her, that it was natural, would last a season, and then fade away.
But what if there was another answer?
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“You can always start again,” Kate Robinson’s mother once told her, “all it takes is a new thread.” Overwhelmed by heartbreak and loss, the struggling twenty-six-year-old fashion designer follows her mother’s advice and flees to her ancestral homeland of Ireland, hoping to break free of old patterns and reinvent herself.
She arrives on the west coast, in the seaside hamlet of Glenmara. In this charming, fading Gaelic village, Kate quickly develops a bond with members of the local lace-making society: Bernie, alone and yearning for a new purpose since the death of her beloved husband,
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When Elspeth Noblin dies of cancer, she leaves her London apartment to her twin nieces, Julia and Valentina. These two American girls never met their English aunt, only knew that their mother, too, was a twin, and Elspeth her sister. Julia and Valentina are semi-normal American teenagers—with seemingly little interest in college, finding jobs, or anything outside their cozy home in the suburbs of Chicago, and with an abnormally intense attachment to one another.
The girls move to Elspeth’s flat, which borders Highgate Cemetery in London. They come to know the building’s other residents.
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Born in 1805 on the Lewis and Clark expedition, Jean-Baptiste Charbonneau was the son of the expedition’s translators, Sacagawea and Toussaint Charbonneau. Across the Endless River compellingly portrays this mixed-blood child’s mysterious boyhood along the Missouri among the Mandan tribe and his youth as William Clark’s ward in St. Louis. The novel becomes a haunting exploration of identity and passion as eighteen-year-old Baptiste is invited to cross the Atlantic in 1823 with young Duke Paul of Württemberg.
During their travels throughout Europe, Paul introduces Baptiste to a world he never imagined.
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Jane Smiley makes her debut for young readers in this stirring novel set on a California horse ranch in the 1960s. Seventh-grader Abby Lovitt has always been more at ease with horses than with people. Her father insists they call all the mares “Jewel” and all the geldings “George” and warns Abby not to get attached: the horses are there to be sold. But with all the stress at school (the Big Four have turned against Abby and her friends) and home (her brother Danny is gone—for good, it seems—and now Daddy won’t speak his name), Abby seeks refuge with the Georges and the Jewels.
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It seems like mutual good luck for Abigail Taylor and Dara MacLeod when they meet at university and, despite their differences, become fast friends. Years later they remain inseparable: Abigail, the actress, allegedly immune to romance, and Dara, a therapist, throwing herself into relationships with frightening intensity. Now both believe they’ve found “true love.” But luck seems to run out when Dara moves into Abigail’s downstairs apartment. Suddenly both their friendship and their relationships are in peril, for tragedy is waiting to strike the house on Fortune Street.
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