31 Bond Street, an unforgettable literary debut from Ellen Horan, is based on the true story of a brutal murder, a desperate mother and mistress, and the vicious constraints of 19th century society. Fans of Caleb Carr’s The Alienist, Edith Wharton’s The House of Mirth, and John Berendt’s Midnight in the Garden of Good and Evil will love the stunning prose and beautiful imagery of 31 Bond Street.
In the twenty-first century, the moral and legal issues surrounding the Bond Street murder still reverberate within today’s society.
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In a world still uneasy after the financial turmoil of 2008, Justin Cartwright puts a human face on the dishonesties and misdeeds of the bankers who imperiled us. Tubal and Co. is a small, privately owned bank in England. As the company’s longtime leader, Sir Harry Tubal, slips into senility, his son Julian takes over the reins—and not all is well. The company’s hedge fund now owns innumerable toxic assets, and Julian fears what will happen when their real value is discovered.
Artair Macleod, an actor manager whose ex-wife, Fleur, was all but stolen by Sir Harry, discovers that his company’s monthly grant has not been paid by Tubal.
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In this beautifully written debut, Anna Jean Mayhew offers a riveting depiction of Southern life in the throes of segregation, what it will mean for a young girl on her way to adulthood—and for the woman who means the world to her…
On a scorching day in August 1954, thirteen-year-old Jubie Watts leaves Charlotte, North Carolina, with her family for a Florida vacation. Crammed into the Packard along with Jubie are her three siblings, her mother, and the family’s black maid, Mary Luther. For as long as Jubie can remember, Mary has been there—cooking, cleaning,
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FINALIST FOR THE FRANK O’CONNOR SHORT STORY AWARD NOW WITH AN ADDITIONAL STORY
Heralding the arrival of a stunning new voice in American fiction, If I Loved You, I Would Tell You This takes readers into the minds and hearts of people navigating the unsettling transitions that life presents to us all: A father struggles to forge an independent identity as his blind daughter prepares for college. A mother comes to terms with her adult daughter’s infidelity. An artist mourns the end of a romance while painting the portrait of a dying man.
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In this Pygmalion tale of a novelist turned bond trader, Martha McPhee brings to life the greed and riotous wealth of New York during the heady days of the second gilded age. India Palmer, living the cash-strapped existence of the writer, is visiting wealthy friends in Maine when a yellow biplane swoops down from the clear blue sky to bring a stranger into her life, one who will change everything. The stranger is Win Johns, a swaggering and intellectually bored trader of mortgage- backed securities. Charmed by India’s intelligence, humor, and inquisitive nature—and aware of her near-desperate financial situation—Win poses a proposition: “Give me eighteen months and I’ll make you a world-class bond trader.”
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Tom Franklin’s extraordinary talent has been hailed by the leading lights of contemporary literature—Phillip Roth, Richard Ford, Lee Smith, and Dennis Lehane. Reviewers have called his fiction “ingenious” (USA Today) and “compulsively readable” (Memphis Commercial Appeal). His narrative power and flair for characterization have been compared to the likes of Harper Lee, Flannery O’Connor, Elmore Leonard, and Cormac McCarthy.
Now the Edgar Award-winning author returns with his most accomplished and resonant novel so far—an atmospheric drama set in rural Mississippi. In the late 1970s, Larry Ott and Silas “32”
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