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THE DARKEST CHILD

Pakersfield, Georgia, 1958: Thirteen-year-old Tangy Mae Quinn is the sixth of ten fatherless siblings. She is the darkest-skinned among them and therefore the ugliest in her mother, Rozelle’s, estimation, but she’s also the brightest. Rozelle—beautiful, charismatic, and light-skinned—exercises a violent hold over her children. Fearing abandonment, she pulls them from school at the age of twelve and sends them to earn their keep for the household, whether in domestic service, in the fields, or at “the farmhouse” on the edge of town, where Rozelle beds local men for money.

But Tangy Mae has been selected to be part of the first integrated class at a nearby white high school.

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THE ECHO MAKER

 On a winter night on a remote Nebraska road, twenty-seven-year-old Mark Schluter has a near-fatal car accident. His older sister, Karin, returns reluctantly to their hometown to nurse Mark back from a traumatic head injury. But when Mark emerges from a coma, he believes that this woman–who looks, acts, and sounds just like his sister–is really an imposter. When Karin contacts the famous cognitive neurologist Gerald Weber for help, he diagnoses Mark as having Capgras Syndrome.

The mysterious nature of the disease, combined with the strange circumstances surrounding Mark’s accident, threatens to change all of their lives beyond recognition.

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LUNCHEON OF THE BOATING PARTY

Luncheon of the Boating Party, the novel and the painting, depicts the summer of 1880, an exuberant postwar time when social constraints were loosening, Paris was healing, and Parisians were bursting with a desire for pleasure. The fourteen painted figures on the terrace overlooking the Seine enjoying this moment of la vie moderne are Renoir’s very real friends, whose lives unfold and connect during the course of the making of the painting. Seven of the models are viewpoint characters who reveal in their own voices the events of their lives during the weeks in between painting sessions.

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HICK

 Hick is the story of Luli McMullen—feisty, precocious, and out on her own at 13. Luli is running away from Nebraska to Las Vegas, where she plans to escape her disturbing present and even less hopeful future by finding herself a sugar daddy. That Luli finds trouble on the road almost immediately is no surprise. What is a surprise is that regardless of circumstances, Luli refuses to be a victim, even at her tender age. On her perilous journey west, she learns the truth of American rootlessness and discovers both the power and the peril of her own sexual curiosity.

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THE OTHER SIDE OF THE BRIDGE

 Mary Lawson’s first novel, Crow Lake, mesmerized readers across the country and became a New York Times bestseller, a rare achievement for a debut author. With The Other Side of the Bridge she enchants us again, weaving together the stories of two families as they seek solace and redemption across two generations.

Set against the backdrop of northern Ontario’s haunting landscapes, The Other Side of the Bridge opens with an unforgettable image of Arthur and Jake Dunn, two brothers whose jealousies will take them beyond the edge of reason,

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THE GHOST AT THE TABLE

 Strikingly different since childhood and leading dissimilar lives now, sisters Frances and Cynthia have managed to remain “devoted”—as long as they stay on opposite coasts. When Frances arranges to host Thanksgiving at her New England farmhouse, she envisions a happy family reunion, one that will include the sisters’ long-estranged father. Cynthia, however, doesn’t understand how Frances can ignore the past their father’s presence revives, a past that includes suspicions about their mother’s death twenty-five years earlier. As Thanksgiving arrives, with a houseful of guests, the sisters continue to struggle with different versions of a shared past, their conflict escalating to a dramatic,

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