Four starred reviews, shortlisted for the Saltire Society Fiction Book of the Year award, and named a “What to Read Right Now” selection in Vanity Fair
After his mother’s recent death, sixteen-year-old Murdo and his father travel from their home in rural Scotland to Alabama to be with his émigré uncle and American aunt. Stopping at a small town on their way from the airport, Murdo happens upon a family playing zydeco music and joins them, leaving with a gift of two CDs of Southern American songs. On this first visit to the States,
1943. Tasa Rosinski and five relatives, all Jewish, escape their rural village in eastern Poland avoiding certain death and find refuge in a bunker beneath a barn built by their longtime employee.
A decade earlier, ten-year-old Tasa dreams of someday playing her violin like Paganini. To continue her schooling, she leaves her family for a nearby town, joining older cousin Danik at a private Catholic academy where her musical talent flourishes despite escalating political tension. But when the war breaks out and the eastern swath of Poland falls under Soviet control, Tasa’s relatives become Communist targets, her new tender relationship is imperiled,
The Book of Harlan opens with the courtship of Harlan’s parents and his 1917 birth in Macon, Georgia. After his prominent minister grandfather dies, Harlan and his parents move to Harlem, where he eventually becomes a professional musician. When Harlan and his best friend, trumpeter Lizard Robbins, are invited to perform at a popular cabaret in the Parisian enclave of Montmartre—affectionately referred to as “The Harlem of Paris” by black American musicians—Harlan jumps at the opportunity, convincing Lizard to join him.
But after the City of Light falls under Nazi occupation, Harlan and Lizard are thrown into Buchenwald—the notorious concentration camp in Weimar,
Now a major motion picture—”An intimate portrait of mental illness, of atrocious social neglect, and the struggle to resurrect a fallen prodigy.” –Mark Bowden, author of Black Hawk Down)
When Steve Lopez saw Nathaniel Ayers playing his heart out on a two-string violin on Los Angeles’ skid row, he found it impossible to walk away. More than thirty years earlier, Ayers had been a promising classical bass student at Juilliard—ambitious, charming, and also one of the few African-Americans—until he gradually lost his ability to function, overcome by schizophrenia.
One of the Washington Post’s Best Books of 2008.
The Cellist of Sarajevo is a gripping portrait of a city under siege, the small acts of humanity that come to renew it, and from the ashes, the rising, redemptive grace notes of one musician.
After witnessing a shelling that takes the lives of twenty-two civilians outside his window, a man decides he will play at the site of the attack for twenty-two days in tribute, to mark their deaths in a city bombarded relentlessly by surprise attacks and sniper fire. Elsewhere in the city,
As she prepares dinner for her husband and their extended family, Suzanne hears on the radio that a jetliner has crashed and her lover is dead. Alex Elling was a renowned orchestra conductor. Suzanne is a concert violist, long unsatisfied with her marriage to a composer whose music turns emotion into thought. Now, more alone than she’s ever been, she must grieve secretly. But as complex as that effort is, it pales with the arrival of Alex’s widow, who blackmails her into completing the score for Alex’s unfinished viola concerto. As Suzanne struggles to keep her double life a secret from her husband,