Four starred reviews, shortlisted for the Saltire Society Fiction Book of the Year award, and named a “What to Read Right Now” selection in Vanity Fair
After his mother’s recent death, sixteen-year-old Murdo and his father travel from their home in rural Scotland to Alabama to be with his émigré uncle and American aunt. Stopping at a small town on their way from the airport, Murdo happens upon a family playing zydeco music and joins them, leaving with a gift of two CDs of Southern American songs. On this first visit to the States,
1943. Tasa Rosinski and five relatives, all Jewish, escape their rural village in eastern Poland avoiding certain death and find refuge in a bunker beneath a barn built by their longtime employee.
A decade earlier, ten-year-old Tasa dreams of someday playing her violin like Paganini. To continue her schooling, she leaves her family for a nearby town, joining older cousin Danik at a private Catholic academy where her musical talent flourishes despite escalating political tension. But when the war breaks out and the eastern swath of Poland falls under Soviet control, Tasa’s relatives become Communist targets, her new tender relationship is imperiled,
The Book of Harlan opens with the courtship of Harlan’s parents and his 1917 birth in Macon, Georgia. After his prominent minister grandfather dies, Harlan and his parents move to Harlem, where he eventually becomes a professional musician. When Harlan and his best friend, trumpeter Lizard Robbins, are invited to perform at a popular cabaret in the Parisian enclave of Montmartre—affectionately referred to as “The Harlem of Paris” by black American musicians—Harlan jumps at the opportunity, convincing Lizard to join him.
But after the City of Light falls under Nazi occupation, Harlan and Lizard are thrown into Buchenwald—the notorious concentration camp in Weimar,
Newly divorced and feeling the pain of separation from his family, Hud Smith channels his regret into writing country-western songs, contemplating life on the lam with his 8-year-old daughter, and searching cryptic postcards for news of his teenage son, who has run off with The Daughters of God, an alternative Gospel-punk band of growing fame.
In this endearing misadventure that threatens to turn out right in spite of it all, Schaffert writes a thin line between tragedy and hilarity, turning wry humor and a keen sense of the paradoxical onto characters who deserve all the tender care he gives them.
With the same trademark compassion and erudition he brought to The Man Who Mistook His Wife for a Hat, Oliver Sacks explores the place music occupies in the brain and how it affects the human condition. In Musicophilia, he shows us a variety of what he calls “musical misalignments.” Among them: a man struck by lightning who suddenly desires to become a pianist at the age of forty-two; an entire group of children with Williams syndrome, who are hypermusical from birth; people with “amusia,” to whom a symphony sounds like the clattering of pots and pans;
The musical adventure of a lifetime. The most exciting book on music in years. A book of treasure, a book of discovery, a book to open your ears to new worlds of pleasure. Doing for music what Patricia Schultz—author of the phenomenal 1,000 Places to See Before You Die—does for travel, Tom Moon recommends 1,000 recordings guaranteed to give listeners the joy, the mystery, the revelation, the sheer fun of great music.
This is a book both broad and deep, drawing from the diverse worlds of classical, jazz, rock, pop, blues, country, folk, musicals, hip-hop,