Adults wage war, while children are unwitting victims, pulled into a maelstrom of fear and hate without any choice. This is a story about two groups of teenagers on opposite sides of the world, forever connected by an act of war. It is a story about the adults some of those teens became, forever connected by acts of forgiveness, understanding, and peace. And it is a story about one remarkable man, whose heart belonged both to America and Japan, who put that peace and understanding in motion. Panning the camera wide, Tanya Lee Stone lays the global groundwork for the story’s context before zooming in on the lives of the people involved,
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Three teenagers are traveling northeast in a navy blue Ford pickup. Turi has fled his abusive family to see the beautiful New England landscape he’s always dreamed about. Arnulfo is undocumented and wants only to find someplace to work and live. Molly seeks a new life far away from her nowhere Missouri town. Turi and Arnulfo are best friends. Molly and Turi are falling in love.
But for all their innocence, violence follows the trio at every turn. The mean viejito who owns the truck wants it back. The narco who hid a deadly shipment in the truck really,
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Thirteen-year-old Aaliyah can’t wait for a concert by her favorite K-pop boy band, 3W. She isn’t too concerned with stories on the news about the rise of the far right—after all, it doesn’t affect her—until a terrorist attack at the concert changes everything.
Local racists are emboldened and anti-Muslim rhetoric starts cropping up at school and on the street. When Aaliyah starts getting bullied, she knows she has to do something to stand up to the hate. She decides that, instead of hiding who she is, she will begin wearing a hijab for the first time, to challenge how people in her community see Muslims.
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In the follow-up to the “bedazzling, bewitching, and be-wonderful” (New York Times) best-selling and Pulitzer Prize-winning Less: A Novel, the awkward and lovable Arthur Less returns in an unforgettable road trip across America.
“Go get lost somewhere, it always does you good.”
For Arthur Less, life is going surprisingly well: he is a moderately accomplished novelist in a steady relationship with his partner, Freddy Pelu. But nothing lasts: the death of an old lover and a sudden financial crisis has Less running away from his problems yet again as he accepts a series of literary gigs that send him on a zigzagging adventure across the US.
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Discover newfound freedom in life’s ever-constant flow of endings and beginnings with the wise words of Pema Chödrön, beloved Buddhist nun and bestselling author of When Things Fall Apart
As much as we might try to resist, endings happen in every moment—the end of a breath, the end of a day, the end of a relationship, and ultimately the end of life. And accompanying each ending is a beginning, though it may be unclear what the beginning holds. In How We Live Is How We Die, Pema Chödrön shares her wisdom for working with this flow of life—learning to live with ease,
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After the Union Army’s defeat at Fredericksburg in 1862, Walt Whitman and Louisa May Alcott converge on Washington to nurse the sick, wounded, and dying. Whitman was a man of many contradictions: egocentric yet compassionate, impatient with religiosity yet moved by the spiritual in all humankind, bigoted yet soon to become known as the great poet of democracy. Alcott was an intense, intellectual, independent woman, an abolitionist and suffragist, who was compelled by financial circumstance to publish saccharine magazine stories yet would go on to write the enduring and beloved Little Women. As Lock captures the musicality of their unique voices and their encounters with luminaries ranging from Lincoln to battlefield photographer Mathew Brady to reformer Dorothea Dix,
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