How do you cope in a world without your mother?
When Barbara realizes time is running out, she writes letters to her four daughters, aware that they’ll be facing the trials and triumphs of life without her at their side. But how can she leave them when they still have so much growing up to do?
Take Lisa, in her midthirties but incapable of making a commitment; or Jennifer, trapped in a stale marriage and buttoned up so tight she could burst. Twentysomething Amanda, the traveler, has always distanced herself from the rest of the family;
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She was taught to submit, to obey . . . but she dreamed of an empire.
The sole heir to the House of Omura, a venerable family of Kobe sake brewers, nineteen-year-old Rie hears but cannot heed her mother’s advice: that in nineteenth-century Japan, a woman must “kill the self” or her life will be too difficult to bear. In this strict, male-dominated society, women may not even enter the brewery—and repressive tradition demands that Rie turn over her family’s business to the inept philanderer she’s been forced to marry. She is even expected to raise her husband’s children by another woman—a geisha—so that they can eventually run the Omura enterprise.
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After Alice Pung’s family fled to Australia from the killing fields of Cambodia, her father chose Alice as her name because he thought their new country was a Wonderland. In this lyrical, bittersweet debut memoir—already an award-winning bestseller when it was published in Australia—Alice grows up straddling two worlds, East and West, her insular family and the Australia outside. With wisdom beyond her years and a keen eye for comedy in everyday life, she writes of the trials of assimilation and cultural misunderstanding, and of the tender but fraught relationships between three generations of women trying to live the Australian dream without losing themselves.
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Their husbands were gone, their families were grown, and the future stretched out before them like an unfulfilled promise…
Tired of always dreaming and never doing, Cici, Lindsay, and Bridget make a life-altering decision. Uprooting themselves from their comfortable lives in the suburbs, the three friends buy a run-down mansion, nestled in the picturesque Shenandoah Valley. They christen their new home “Ladybug Farm,” hoping that the name will bring them luck.
As the friends take on a home improvement challenge of epic proportions, they encounter disaster after disaster,
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Eleanor Cahn, a professor of literature, wife of a preeminent surgeon, and devoted mother of two, is in Paris to present a paper on Anna Karenina. A chance encounter brings to the surface passions she has suppressed for years. As The Life Room unfolds, we learn the secrets of her erotic past: ethereal William, her high school boyfriend; her role as muse to troubled painter Adam; her marriage to loyal, steady Michael. On her return to New York, Eleanor’s charged attraction to another man takes on a life of its own, threatening to destroy everything she has.
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From the moment he was born, Andrew Bridge and his mother Hope shared a love so deep that it felt like nothing else mattered. Trapped in desperate poverty and confronted with unthinkable tragedies, all Andrew ever wanted was to be with his mom. But as her mental health steadily declined, and with no one else left to care for him, authorities arrived and tore Andrew from his screaming mother’s arms. In that moment, the life he knew came crashing down around him. He was only seven years old.
Hope was institutionalized, and Andrew was placed in what would be his devastating reality for the next eleven years—foster care.
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