In the basement of a Boston bookstore, Firmin is born in a shredded copy Finnegans Wake, nurtured on a diet of Zane Grey, Lady Chatterley’s Lover, and Jane Eyre (which tastes a lot like lettuce). While his twelve siblings gnaw these books obliviously, for Firmin the words, thoughts, deeds, and hopes—all the literature he consumes—soon consume him. Emboldened by reading, intoxicated by curiosity, foraging for food, Firmin ventures out of his bookstore sanctuary, carrying with him all the yearnings and failings of humanity itself. It’s a lot to ask of a rat—especially when his home is on the verge of annihilation.
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Logan Ward and his wife, Heather, were prototypical New Yorkers circa 2000: their lives steeped in ambition, work, and stress. Feeling their souls grow numb, wanting their toddler son to see the stars at night, the Wards made a plan. They would return to their native South, find a farm, and for one year live exactly as people did in 1900 Virginia: without a car or electricity–and with only the food they could grow themselves. It was a project that would push their relationship to the brink–and illuminate stunning hardships and equally remarkable surprises.
From Logan’s emotionally charged battles with Belle,
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T. Greenwood’s new novel is a powerful, haunting tale of enduring love, destructive secrets, and opportunities that arrive in disguise . . .
In Two Rivers, Vermont, Harper Montgomery is living a life overshadowed by grief and guilt. Since the death of his wife, Betsy, twelve years earlier, Harper has narrowed his world to working at the local railroad and raising his daughter, Shelly, the best way he knows how. Still wracked with sorrow over the loss of his life-long love and plagued by his role in a brutal, long-ago crime, he wants only to make amends for his past mistakes.
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It is 1959 when Haruko, a young woman of good family, marries the Crown Prince of Japan, the heir to the Chrysanthemum Throne. She is the first non-aristocratic woman to enter the longest-running, almost hermetically sealed, and mysterious monarchy in the world. Met with cruelty and suspicion by the Empress and her minions, Haruko is controlled at every turn. The only interest the court has in her is her ability to produce an heir. After finally giving birth to a son, Haruko suffers a nervous breakdown and loses her voice. However, determined not to be crushed by the imperial bureaucrats,
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It is the spring of 1914 and a group of young students have gathered in an art studio for a life-drawing class. Paul Tarrant and Elinor Brooke are two parts of an intriguing love triangle and, in the first days of war, they turn to each other. As spring turns to summer, Paul volunteers for the Belgian Red Cross and tends to wounded, dying soldiers from the front line. By the time he returns, Paul must confront the fact that life and love will never be the same for him again.
In Life Class, Pat Barker returns to her most renowned subject: the human devastation and psychic damage wrought by World War One on all levels of British society.
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In the mid-twenty-first century, an elderly man named Hilary looks back through the decades to his days at St. Oswald’s, a dreary English boarding school. Though the school and much of the coastline around it have since slipped into the sea, Hilary’s memories of that time and place are vivid. A low-achiever kicked out of two previous schools, Hilary suspected that St. Oswald’s, like the others, would offer nothing more than bourgeois manners and gory lessons from the Dark Ages. Surviving its rigid routines and joyless days would be a matter of will. When he encounters a strange young boy named Finn,
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