Logan Ward and his wife, Heather, were prototypical New Yorkers circa 2000: their lives steeped in ambition, work, and stress. Feeling their souls grow numb, wanting their toddler son to see the stars at night, the Wards made a plan. They would return to their native South, find a farm, and for one year live exactly as people did in 1900 Virginia: without a car or electricity–and with only the food they could grow themselves. It was a project that would push their relationship to the brink–and illuminate stunning hardships and equally remarkable surprises.
From Logan’s emotionally charged battles with Belle,
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Now a major motion picture—”An intimate portrait of mental illness, of atrocious social neglect, and the struggle to resurrect a fallen prodigy.” –Mark Bowden, author of Black Hawk Down)
When Steve Lopez saw Nathaniel Ayers playing his heart out on a two-string violin on Los Angeles’ skid row, he found it impossible to walk away. More than thirty years earlier, Ayers had been a promising classical bass student at Juilliard—ambitious, charming, and also one of the few African-Americans—until he gradually lost his ability to function, overcome by schizophrenia.
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After Alice Pung’s family fled to Australia from the killing fields of Cambodia, her father chose Alice as her name because he thought their new country was a Wonderland. In this lyrical, bittersweet debut memoir—already an award-winning bestseller when it was published in Australia—Alice grows up straddling two worlds, East and West, her insular family and the Australia outside. With wisdom beyond her years and a keen eye for comedy in everyday life, she writes of the trials of assimilation and cultural misunderstanding, and of the tender but fraught relationships between three generations of women trying to live the Australian dream without losing themselves.
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From the moment he was born, Andrew Bridge and his mother Hope shared a love so deep that it felt like nothing else mattered. Trapped in desperate poverty and confronted with unthinkable tragedies, all Andrew ever wanted was to be with his mom. But as her mental health steadily declined, and with no one else left to care for him, authorities arrived and tore Andrew from his screaming mother’s arms. In that moment, the life he knew came crashing down around him. He was only seven years old.
Hope was institutionalized, and Andrew was placed in what would be his devastating reality for the next eleven years—foster care.
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On November 16, 1965, Beth Taylor’s idyllic childhood was shattered at age twelve by the suicide of her older brother Geoff. The Plain Language of Love and Loss reflects on the meaning of death and loss for three generations of her family and their friends. Touching on the timely issues of bullying, child rearing, and non-conformity, she offers a rare look at growing up Quaker in the tumultuous 1960s. Beth Taylor tells how each stage of her life exposed clues to the subtle damage wrought by tragedy, even while it revealed varieties of solace found in friendships, marriage,
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Jeannette Walls grew up with parents whose ideals and stubborn nonconformity were both their curse and their salvation. Rex and Rose Mary Walls had four children. In the beginning, they lived like nomads, moving among Southwest desert towns, camping in the mountains. Rex was a charismatic, brilliant man who, when sober, captured his children’s imagination, teaching them physics, geology, and above all, how to embrace life fearlessly. Rose Mary, who painted and wrote and couldn’t stand the responsibility of providing for her family, called herself an “excitement addict.” Cooking a meal that would be consumed in fifteen minutes had no appeal when she could make a painting that might last forever.
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