From Silvia Moreno-Garcia, the New York Times bestselling author of Mexican Gothic, comes Certain Dark Things, a pulse-pounding neo-noir that reimagines vampire lore.
Welcome to Mexico City, an oasis in a sea of vampires. Domingo, a lonely garbage-collecting street kid, is just trying to survive its heavily policed streets when a jaded vampire on the run swoops into his life. Atl, the descendant of Aztec blood drinkers, is smart, beautiful, and dangerous. Domingo is mesmerized.
Atl needs to quickly escape the city, far from the rival narco-vampire clan relentlessly pursuing her.
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From two-time Newbery Medalist Kate DiCamillo and two-time Caldecott Medalist Sophie Blackall comes a fantastical meditation on fate, love, and the power of words to spell the world.
We shall all, in the end, be led to where we belong. We shall all, in the end, find our way home.
In a time of war, a mysterious child appears at the monastery of the Order of the Chronicles of Sorrowing. Gentle Brother Edik finds the girl, Beatryce, curled in a stall, wracked with fever, coated in dirt and blood, and holding fast to the ear of Answelica the goat.
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The first Graywolf Press African Fiction Prize winner, a story of a girl’s fantastical sea voyage to rescue her father
The House of Rust is an enchanting novel about a Hadrami girl in Mombasa. When her fisherman father goes missing, Aisha takes to the sea on a magical boat made of a skeleton to rescue him. She is guided by a talking scholar’s cat (and soon crows, goats, and other animals all have their say, too). On this journey Aisha meets three terrifying sea monsters. After she survives a final confrontation with Baba wa Papa,
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Sliding Doors meets Life After Life in Sarah Adlakha’s story about a wife and mother who is given the chance to start over at the risk of losing everything she loves.
A second chance is the last thing she wants.
When thirty-nine year old Maria Forssmann wakes up in her seventeen-year-old body, she doesn’t know how she got there. All she does know is she has to get back: to her home in Bienville, Mississippi, to her job as a successful psychiatrist and, most importantly, to her husband,
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A “boisterous and high-spirited debut” (Kirkus starred review)“that enthralls the reader through their every twist and turn” (Publishers Weekly starred review)
In her powerful debut story collection, Nana Nkweti’s virtuosity is on full display as she mixes deft realism with clever inversions of genre. In the Caine Prize finalist story “It Takes a Village, Some Say,” she skewers racial prejudice and the practice of international adoption, delivering a sly tale about a teenage girl who leverages her adoptive parents to fast-track her fortunes. In “The Devil Is a Liar” a pregnant pastor’s wife struggles with the collision of Western Christianity and her mother’s traditional Cameroonian belief system as she worries about her unborn child.
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The Movement’s founding ideology emphasizes that women should be valued for their inner qualities, spirit, and character, and not for their physical attributes.
Men have been forbidden to be attracted to women on the basis of their bodies. Some continue with unreformed attitudes but many submit—or are sent by their wives and daughters—to the Institute for internment and reeducation. However, the Movement also struggles with women and their “old attitudes,” with many still undergoing illegal cosmetic surgeries and wearing makeup. Our narrator, an unapologetic guard at one of these reeducation facilities, describes how the Movement started,
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