In the beautifully written, multi-layered novel Plum Wine, Angela Davis-Gardner portrays the love story between Seiji, a Japanese potter who endured the terrors brought about by the Hiroshima bombing, and Barbara Jefferson, a lonely young American teaching English at an all-girls Tokyo university. This tale is much more than a romance; the narrative combines elements of mystery, culture, history, literature, and poetry in one woman’s life-altering journey through the recent past.
Plum Wine is set in Japan during the Vietnam War era. At the onset of the novel,
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Venice, 1202. Tens of thousands of crusaders set sail for Jerusalem to liberate the great city from Muslim rule. Among them is a British vagabond grudgingly taken under the wing of a pious knight who believes that the mission is truly blessed by God. Before leaving, the vagabond rescues a woman pretending to be an Arab princess, hoping that under the protection of his benefactor knight, he can smuggle the young woman back to the Holy Land. However, this “holy” campaign sinks into tragic moral turpitude – first in an attack on the Adriatic port city of Zara, and ultimately in the dramatic,
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When college sophomore Laurel Estabrook is attacked while riding her bicycle through Vermont’s back roads, her life is forever changed. Formerly outgoing, Laurel withdraws into her photography and begins to work at a homeless shelter. It is there she meets Bobbie Crocker, a man with a history of mental illness and a box of photographs that he won’t let anyone see. But when Bobbie suddenly dies, Laurel discovers that before he was homeless, Bobbie Crocker was a successful photographer who had worked with such legends as Chuck Berry, Robert Frost, and Eartha Kitt. As Laurel’s fascination with Bobbie’s former life grows,
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“Dazzling,” (People) “Exuberant,” (Vogue) “marvelously entertaining,” (The Dallas Morning News)—Marisha Pessl’s mesmerizing debut has critics raving and heralds the arrival of a vibrant new voice in American fiction. At the center of this “cracking good read” is clever, deadpan Blue van Meer, who has a head full of literary, philosophical, scientific, and cinematic knowledge. But she could use some friends. Upon entering the elite St. Gallway school, she finds some—a clique of eccentrics known as the Bluebloods. One drowning and one hanging later, Blue finds herself puzzling out a byzantine murder mystery.
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Colin Scott reads people for a living. They bare their souls on paper, and he sells them to the highest bidder. His work as a top literary agent representing big name authors has turned his youthful ambitions into everything he ever wanted.
But Colin’s passion for molding new writers into proven talent has somehow become aggravating and routine. On top of this mounting cynicism and professional monotony, Colin and his wife are trying desperately to have a baby.
Every decision he has ever made now has a question mark after it. And his usually clear-cut motivations are leading toward a nervous breakdown.
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The novel opens on a sweltering summer day in 1935 at the Tallis family’s mansion in the Surrey countryside. Thirteen-year-old Briony has written a play in honor of the visit of her adored older brother Leon; other guests include her three young cousins—refugees from their parent’s marital breakup—Leon’s friend Paul Marshall, the manufacturer of a chocolate bar called “Amo” that soldiers will be able to carry into war, and Robbie Turner, the son of the family charlady whose brilliantly successful college career has been funded by Mr. Tallis. Jack Tallis is absent from the gathering; he spends most of his time in London at the War Ministry and with his mistress.
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