Bandy Dorner, home from Vietnam, awakes with his car mired in a canal, his cabin reduced to ashes, and his pregnant wife preparing to leave town with her lover. Within moments, a cop lies bleeding in the road. Eighteen years later, Bandy’s son — a stranger bearing his name — returns to the town, where the memory of his father’s crime still hangs thick. When an accident brings the family — paroled father, widowed mother, injured son — back together, the three must confront their past, and struggle against their fate.
Like a traditional Greek tragedy,
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31 Bond Street, an unforgettable literary debut from Ellen Horan, is based on the true story of a brutal murder, a desperate mother and mistress, and the vicious constraints of 19th century society. Fans of Caleb Carr’s The Alienist, Edith Wharton’s The House of Mirth, and John Berendt’s Midnight in the Garden of Good and Evil will love the stunning prose and beautiful imagery of 31 Bond Street.
In the twenty-first century, the moral and legal issues surrounding the Bond Street murder still reverberate within today’s society.
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An international publishing sensation, Stieg Larsson’s The Girl with the Dragon Tattoo combines murder mystery, family saga, love story, and financial intrigue into one satisfyingly complex and entertainingly atmospheric novel. Harriet Vanger, a scion of one of Sweden’s wealthiest families disappeared over 40 years ago. All these years later, her aged uncle continues to seek the truth. He hires Mikael Blomkvist, a crusading journalist recently trapped by a libel conviction, to investigate. He is aided by the pierced and tattooed punk prodigy Lisbeth Salander. Together they tap into a vein of unfathomable iniquity and astonishing corruption.
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Tom Franklin’s extraordinary talent has been hailed by the leading lights of contemporary literature—Phillip Roth, Richard Ford, Lee Smith, and Dennis Lehane. Reviewers have called his fiction “ingenious” (USA Today) and “compulsively readable” (Memphis Commercial Appeal). His narrative power and flair for characterization have been compared to the likes of Harper Lee, Flannery O’Connor, Elmore Leonard, and Cormac McCarthy.
Now the Edgar Award-winning author returns with his most accomplished and resonant novel so far—an atmospheric drama set in rural Mississippi. In the late 1970s, Larry Ott and Silas “32”
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There was your photo, in a magazine. Of course, you are older now. Still, I’d know you anywhere.
Suburban wife and mother Eliza Benedict’s peaceful world falls off its axis when a letter arrives from Walter Bowman. In the summer of 1985, when Eliza was fifteen, she was kidnapped by this man and held hostage for almost six weeks. Now he’s on death row in Virginia for the rape and murder of his final victim, and Eliza wants nothing to do with him. Walter, however, is unpredictable when ignored—as Eliza knows only too well—and to shelter her children from the nightmare of her past,
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In a remote, piney wood in Finland stands a convalescent hospital called Suvanto, a curving concrete example of austere Scandinavian design. It is the 1920s, and the patients, all women, seek relief from ailments real and imagined. On the lower floors are the stoic Finnish women; on the upper floors are foreign women of privilege—the “up-patients.” They are tended to by head nurse Sunny Taylor, an American who has fled an ill-starred life only to retreat behind a mask of crisp professionalism. On a late-summer day a new patient arrives on Sunny’s ward—a faded, irascible former ballroom-dance instructor named Julia Dey.
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