Brooke O’Connor—elegant, self-possessed, and kind—has a happy marriage and a deeply loved young daughter. So her adamant refusal to have a second child confounds her husband, Sean. When Brooke’s high school boyfriend Alex—now divorced and mourning the death of his young son—unexpectedly resurfaces, Sean begins to suspect an affair.
For fifteen years Brooke has kept a shameful secret from everyone she loves. Only Alex knows the truth that drove them apart. His reappearance now threatens the life she has so carefully constructed and fortified by denial. With her marriage—and her emotional equilibrium—at stake, Brooke must confront what she has been unwilling to face for so long.
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From the author of If Wishes Were Horses comes a novel of long-buried secrets and self-discovery, showing us that sometimes what goes unsaid is more powerful than words. . . .
Chelsea Enright never expected to inherit her grandmother’s lakeside cottage deep in the Adirondacks—a serene getaway that had been mysteriously closed up decades ago. This is no simple bequest, however, because when Chelsea finds her grandmother’s WWII diaries, she’s stunned to discover that they hold secrets she never suspected . . . and they have the power to turn her own life upside down.
Even more surprising is the compelling presence of local doctor Brandon Yale,
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Some people need to run away to find themselves. Some need to come home
Kyran Pittman did both, landing in the last place she ever expected: inside the white picket fence at the center of an all-American family. A self-described wild child, Pittman grew up in a loving yet chaotic household on the “near-mythical island” of Newfoundland, off Canada’s rugged east coast.
Unmoored by “the catastrophe of falling in love with an American,” she embarked on a new life as an unlikely pilgrim to the suburban heartland–a journey that began in exile and ends in homecoming.
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Chris Lowndes built a comfortable career composing scores for films in Hollywood. But after twenty-five years abroad, and still quietly reeling from the death of his beloved wife, he decides to return to the Yorkshire dales of his youth. To ease the move, he buys Kilnsgate House, a rambling old mansion deep in the country.
Although Chris finds Kilnsgate charming, something about the house disturbs him, a vague sensation that the long-empty rooms have been waiting for him—feelings made ever stronger when he learns that the house was the scene of a murder more than fifty years before.
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With an imaginative audacity and lyrical brilliance that puts him in the company of David Mitchell and Aleksandar Hemon, Rana Dasgupta paints a portrait of a century though the story of a hundred-year-old blind Bulgarian man in a first novel that announces the arrival of an exhilarating new voice in fiction.
In the first movement of Solo we meet Ulrich, the son of a railroad engineer, who has two great passions: the violin and chemistry. Denied the first by his father, he leaves for the Berlin of Einstein and Fritz Haber to study the latter. His studies are cut short when his father’s fortune evaporates,
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A glittering, energetic novel set in the eccentric and decadent city of Buenos Aires, where three women discover their own kinds of awakenings.
Buenos Aires is a city of Parisian affectations and national anxiety, of amorous young lovers, seedy ports, flooded slums, and a dazzling social elite. And in this heady maze of contradiction and possibility are three women: Daisy, an American divorcée; Isolde, a beautiful, lonely Austrian; and Leonarda, a chameleonic Argentine with radical dreams of rebellion.
Against the throbbing backdrop of this shimmering city—a character in itself—Maxine Swann has created a stunning narrative of reawakened sensuality and compulsive desire that simultaneously explores with remarkable acuity themes of foreignness,
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