Mermaids, kidnappers, and mercenaries hijack a tropical vacation in this genre-bending sendup of the American honeymoon.
On the grounds of a Caribbean island resort, newlyweds Deb and Chip—our opinionated, skeptical narrator and her cheerful jock husband who's friendly to a fault—meet a marine biologist who says she's sighted mermaids in a coral reef.
As the resort's “parent company” swoops in to corner the market on mythological creatures, the couple joins forces with other adventurous souls, including an ex–Navy SEAL with a love of explosives and a hipster Tokyo VJ, to save said mermaids from the “Venture of Marvels,”
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New York Times Bestseller
New York Times Book Review Editor’s Choice
A Library Journal Best Book of the Year
Featured on the Entertainment Weekly “Must” List
One of The Guardian’s (UK) Ten Best Books of the Year-So-Far
“My Life in Middlemarch is a poignant testimony to the abiding power of fiction.” —Joyce Carol Oates, The New York Times Book Review
A captivating combination of biography,
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Winner of the 2012 Fifty Books/Fifty Covers show, organized by Design Observer in association with AIGA and Designers & Books
Winner of the 2014 Type Directors Club Communication Design Award
From A to Z, the Penguin Drop Caps series collects 26 unique hardcovers—featuring cover art by type superstar Jessica Hische.
It all begins with a letter. Fall in love with Penguin Drop Caps, a new series of twenty-six collectible and gift-worthy hardcover editions, each with a type cover showcasing a gorgeously illustrated letter of the alphabet by superstar type designer Jessica Hische,
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“I’m completely captivated by the beauty of the paragraphs, the elegance of the prose, the joy in the written word, and the literary sense of this author.”
—Enrique Vilas-Matas
Valeria Luiselli is an evening cyclist; a literary tourist in Venice, searching for Joseph Brodsky’s tomb; an excavator of her own artifacts, unpacking from a move. In essays that are as companionable as they are ambitious, she uses the city to exercise a roving, meandering intelligence, seeking out the questions embedded in our human landscapes.
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Set deep in the Appalachian wilderness between the years of 1779 and 1784,The Land Breakers is a saga like the Norse sagas or the book of Genesis, a story of first and last things, of the violence of birth and death, of inescapable sacrifice and the faltering emergence of community.
Mooney and Imy Wright, twenty-one, former indentured servants, long habituated to backbreaking work but not long married, are traveling west. They arrive in a no-account settlement in North Carolina and, on impulse, part with all their savings to acquire a patch of land high in the mountains.
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Odd-job queen Starshine Hart is about to go on somebody else’s perfect date. At twenty-nine, the usually carefree Starshine has realized that it is easier to start sleeping with a man than to stop. Her lovers include one of the last underground members of the Weathermen, and the dilettante heir to a lawn chair magnate. Both men have staked their romantic future on her. Her only respite is her impending dinner with the non-threatening but unattractive tour guide Larry Bloom. But Larry, too, has a stake in her future. He has written a book about their impending dinner in which he fantasizes about Starshine’s life on the day he wins her heart.
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