A dark, compulsively readable psychological suspense debut, the first in a new series featuring the brilliant, fearless, chaotic, and deeply flawed Nora Watts—a character as heartbreakingly troubled, emotionally complex, and irresistibly compelling as Stieg Larsson’s Lisbeth Salander and Jo Nesbø’s Harry Hole.
It begins with a phone call that Nora Watts has dreaded for fifteen years—since the day she gave her newborn daughter up for adoption. Bonnie has vanished. The police consider her a chronic runaway and aren’t looking, leaving her desperate adoptive parents to reach out to her birth mother as a last hope.
A biracial product of the foster system,
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From Simone Van Der Vlugt comes her European bestselling novel of a young woman’s rise as a painter in Holland’s Golden Age—perfect for readers of The Miniaturist, Tulip Fever, and Girl with a Pearl Earring.
Amsterdam 1654: against the backdrop of Holland’s Golden Age, a dangerous secret threatens to destroy a young widow’s new life.
Following the sudden death of her husband, twenty-five-year old Catrin leaves her small village and takes a job as a housekeeper to the successful Van Nulandt merchant family. Amsterdam is a city at the peak of its powers: science and art are flourishing in the Golden Age and Dutch ships bring back exotic riches from the Far East.
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Lily King meets Patricia Highsmith in this slyly seductive debut set on an eerily beautiful farm teeming with secrets.
The drought has discontented the bees. Soil dries into sand; honeycomb stiffens into wax. But Cynthia knows how to breathe life back into her farm: offer it as an artists’ colony with free room, board, and “life experience” in exchange for backbreaking labor. Silvia, a wide-eyed graduate and would-be poet, and Ibrahim, a painter distracted by constant inspiration, are drawn to Cynthia’s offer, and soon, to each other.
But something lies beneath the surface. The Edenic farm is plagued by events that strike Silvia as ominous: taps run red,
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The arsons started on a cold November midnight and didn’t stop for months. Night after night, the people of Accomack County waited to see which building would burn down next, regarding each other at first with compassion, and later suspicion. Vigilante groups sprang up, patrolling the rural Virginia coast with cameras and camouflage. Volunteer firefighters slept at their stations. The arsonist seemed to target abandoned buildings, but local police were stretched too thin to surveil them all. Accomack was desolate—there were hundreds of abandoned buildings. And by the dozen they were burning.
“One of the year’s best and most unusual true-crime books” (Christian Science Monitor),
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A vibrant, propulsive literary thriller that charts the high-stakes journey of a young man trying to find his place in a country that has lost its way
As the 1980s draw to a close, South Africa is a maelstrom of political violence with the apartheid regime in its death throes. Young Martin Helger is the struggling odd duck at an elite private boys school in Johannesburg, with his father a rough-handed scrap dealer and his brother a mysterious legend.
When a beautiful and manipulative American arrives at the family home, Martin soon finds himself wrenched out of his isolated bubble and thrust into the raw heart of the struggle.
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At the end of the 19th century, the Osage Indians were driven onto a presumed worthless expanse of land in northeastern Oklahoma. But their territory turned out to be atop one of the largest oil deposits in the United States; to obtain that oil, prospectors were required to pay the tribe for leases and royalties. By the 1920s, the members of Osage Nation had become the wealthiest people per capita in the world. And then the Osage began to die under mysterious circumstances.
As the death toll climbed to more than twenty-four and local law enforcement made little progress,
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